I recently finished this baby quilt as a gift for a recipient that likes lots of bright colours! I first spotted the fabric with the black and white animals- the owl, the bear and fox, and bought a length of it to play with.
Karen Mundt-Little Owl
I thought it might look good to cut the animal squares out into separate pieces and put together with improv-pieced blocks, some coloured accents and some black and white diamond print fabric which I already had- it fitted in perfectly!
I think the little fox is my favourite..
I also quilted it myself on the long-arm and added the label on the back, and it’s all done!
I’m going away soon to visit the UK Festival of Quilts in Birmingham, so my posting on here may be a little erratic! But I’ll have lots of photos to show you of what we see and do while we are there.
I often use a lot of text prints in my quilts- you know all those fabrics available in recent years that look like newspaper, or pages torn from a book, or random words, pictures of ticket stubs and maps, magazine ads etc. I like them for the background of blocks, or as the ‘neutral’ in a colour scheme. I can’t articulate what it is in particular I like about them- I just do. I think that also extends to my fondness for cityscapes and houses with the repetitive pattern of squares and rectangles, as well as stripes and other graphic elements. I have even incorporated some houses into my Year of Stitches piece- I’ve been doing at least one stitch a day, every day since January 1. I first mentioned it here.
This is a catch-up or progress photo for May:
I’m making it up as I go along, and I’ve noticed that it is turning into a little stitched ‘map’ of a community. On the one side I have the row of houses, there are some children skipping and their pet dog, and over on the other side there are some trees in a little area turning into a little country landscape.
I’m interested in making a quilted ‘map’, a quilt which will use the elements of a map, but not necessarily be a geographically-correct map. It would use the elements of a map in its design, with the lines and curves and images here and there. I’ve had this book by Valerie Goodwin for some time which shows some beautiful quilts and ideas on how to go about it- the ideas are brewing!
I started a stitching project this year, which was mentioned on Instagram. It’s called One Year of Stitches, with the idea being to do some hand-stitching every day. It can be as little as one stitch a day, or as much as you like, but by committing yourself to joining in you just have to do some every day. So far we are 16 weeks in, and this is where I am up to now:
Karen Mundt- One Year of Stitches 2017
I wanted to do a stitchery that was just made up as I went along with no theme, no playing by the rules with how you completed the stitches or worrying about producing a particular ‘picture’ at the end of it- an improvised piece of stitching!
It has certainly worked in getting me to do some stitching every day- I wouldn’t have had this much done by now if I had given in to those thoughts of ‘I’m too tired/ or can’t be bothered today’. Some days I do only a few stitches, some days a whole element, such as the birdhouse or a flower.
Here are a few photos to show the progress from the start of the year:
Karen – 9 Jan 2017
Karen – 25 Jan 2017
Karen – 21 Feb 2017
Karen – 25 Mar 2017
Karen – 10 Apr 2017
I’m using any stitches that I think of and playing with all my threads that I have bought over the years. Each day we are supposed to post a progress photo on Instagram (or other social media such as Facebook)- I changed that to posting every second day. If you are on Instagram do a search on #iyearofstitches and #iyearofstitches2017 to see images of all those taking part. My IG account name is littlebirdiequilting You’ll see all the different styles of stitching projects that people are doing- from cross-stitch to free-form to delicate silk embroideries.
Now I’m off to do today’s stitching- don’t know what I’ll do but something will come to me!
I made this quilt towards the end of last year but I don’t think I have shown it on here before. I call it Urban Sprawl and it is of my own design.
Karen Mundt- Urban Sprawl
I made it in the improv style; starting with lots of little pieces cut and joined in all manner of ways. It was fun to just play and experiment with putting together building blocks which were then joined with others to gradually make larger pieces of the quilt top.
I had always wanted to make a quilt that was mainly white, or off-white, and little pops of colour. My preference has always been for pieced quilts, so I pieced together wonky flying geese blocks, inserted narrow strips here and there, deliberately didn’t line things up and eschewed the use of a ruler in most cases.
The main theme I had in mind was a play on a cityscape. There are narrow buildings and structures in amongst rooflines of houses.
Probably the hardest part was actually putting it all together at the end; making the pieces fit together with odd-shaped coping, or sashing, strips to put some order into it all. This is where a design wall comes in handy!
I backed it with a white backing and faced it, instead of binding. I quilted it with straight and angled lines, some of which echoed the house and building shapes.
If you are in Brisbane between 27 to 29 April, go along to a quilt display being held by Queensland Quilters, called Quilt Connect. This quilt will be hanging there, along with the quilts of 4 others from my local quilt group, and many others from groups across Queensland, all affiliated with Queensland Quilters. The details are:
I’ve been playing with scraps lately. Cutting up lots of pieces and sewing them back together, as we do. I started making these pieces of improvisation a couple of months ago, just constructing blocks of no particular size or shape and no design in mind.
When I got them back out again this weekend I put up on a board the bits I had already made, to get some ideas on how I want them to all be joined up together.
A very favourite theme of mine is cityscapes, so it’s not surprising that I finally decided on building a quilt around that idea- a view of a city in a sort-of deconstructed way. I have some lop-sided flying geese blocks, triangles and log cabin blocks which when put together resemble houses and buildings. I like that idea, and I’m on my way!
I am using lots of white with pops of colour, some greens and blues, a little purple and brown spots. I want it to be a ‘modern’ style quilt, so the aim is to have lots of negative space.
I’ve also made this month’s blocks for the Cherish do.Good.Stitches charity quilt that I contribute to: these are the Delectable Mountain block, or sometimes known by a few different names like Mountain Majesties, in black, grey and white:
This block is for the Cherish do.Good.Stitches group quilt that I am contributing to this year. It is an Octagon block, very easy to make using paper foundation, piecing a large triangle unit then joining them together into squares.
I can see that once you have a whole lot of these blocks and assemble them together they would make an excellent colourful ‘scrappy’ quilt. The corner triangles would form a secondary octagon as well.
Speaking of colour, the Gatton Quilters Art group has started a small monthly challenge. We have to produce a 6″ block using whatever methods we like, but only two colours. The colours for our first month were blue and green.
Karen Mundt- blue and green
I had a beautiful piece of blue and green batik fabric that I thought would fit the bill, so decided I would just hand-stitch all over the batik, improvising as I went along.
I echoed some lines that were suggested by the shapes in the colour swirls and played with a few stitch variations. I also used a variety of thread weights to contrast the texture. I then just finished the block with a small facing finish.
Do you remember that old saying about blue and green should never be seen together? Rubbish- I think they look fantastic together!
These are the blocks produced by others in the group. The best part of such challenges is seeing the endless variations that can be produced by people expanding their imagination and having a play.
L-R Row 1: Shirley, Marilyn, Helen H; Row 2: mine, Lyn, Trish; Row 3: Helen S, Jan K, Meryl
Helen H and Trish
Lyn and Jan K
Looking forward to seeing what next month’s blocks using green and purple will look like!
I went to a quilting workshop recently. We all had to take our sewing machines, our irons and ironing boards, a cutting board…
a random pick of fabrics, including old blocks left from previous projects and sewing tools, but no rulers.
The day was spent playing with fabric, making free-form cuts in fabric and adding them to any other bits of fabric that your hand might fall on.
I decided to use a lighter colour scheme than I usually work with- some creams, whites, browns and muted colours. These blocks I’m showing here haven’t been trimmed yet.
I also took some old blocks left from a previous project and split them up, then added some slivers of hand-dyed colour.
Our tutor, Peggy Phelps, started us off with some ideas of blocks to start with using lots of techniques such as strip-piecing, wonky flying geese, chequerboard units and uneven log cabin blocks.
A few workshop participants took a little time to get used to ‘not being neat’ but soon got into the swing of it!
And Peggy showed us some of her quilts where she has used lots of lovely bright colour!
I find that any workshop you can do is worth spending the time to do it- there’s always something you pick up along the way- whether it be a new technique or even some inspiration to try something different of your own.
I have a small project that is actually finished! I don’t feel like I get to say that often enough- an actual finish, yay! This is a little story cloth, stitched over quite a long while. I probably started it about 2 years ago, just working slowly and enjoying the process.
It is a stitched piece utilising re-purposed cloth and scraps, torn little bits from here and there. It has raw edges and loose threads…
…bits saved from here and there just added where they looked to fit. There was no plan- I would add one piece then stop and look before adding something else. I guess you could call it an improv cloth! Lots of hand-stitching was added to the top. Its title is Neighbourhood Watch.
It was enjoyable and comforting to work on; the feel of the cloth soft in my hands. I cut up one of my mum’s old pillow-cases, that must have been washed a thousand times in its life, to use as the background. My original inspiration for it was from following Jude Hill on Spirit Cloth, both on her blog and various online classes I’ve taken. I so love her work, and while mine doesn’t look anything like hers, I use her techniques and the inspiration she provides.
I bound it by using strips from fabric left over from the days of sewing my clothes; the frayed selvedges turned to the front and running stitches with perle cotton to keep them in place. I also lightly hand quilted, using the same thread with big stitches.
Truth be told, I’m a little sad it’s actually finished! I guess I’ll have to start another one….
What do you think of this quilt? It’s my improvisational medallion quilt that I started in a Gwen Marston workshop in mid-2013, and it’s finally finished!
Karen Mundt- medallion quilt
I’ve written here a few times about the progress, and about how it proved to be a real challenge.
In the Gwen Marston class, we started with a centre block and then started adding onto it, a border at a time. I only got the hour-glass border on during the class, and made up the rest of it myself. Decisions had to be made for each border- what techniques to use, which fabrics, which colours. There are obvious borders out to the half-square triangle border, but then after that it was made up as I went. I wanted to make mine as scrappy as possible, and while I did buy a lot of the fabric to use for it, I also used a lot of left-over fabric from past projects.
I experimented with lots of different block designs, made up some of my own and made wonky versions of blocks. As I made endless blocks, I would put them up on my design wall and move them around. It was this middle stage where I often felt that I wasn’t moving along, so I started to make decisions on a section at a time. I would work out which blocks could go together to make up a large section and piece them all together.
I had started with thinking that I would use a pale green or cream as the calming fabric and filler in between the colourful blocks, but soon realised that wasn’t going to work. So I switched to using red as the filler and that became the constant colour to draw the eye around the quilt. The filler strips and pieces were necessary to ‘fill in’ where some blocks were a little shorter than others or not quite fitting together and made it much easier to piece the sections.
I would work on just making decisions on one section at a time, put that up on the design board and move onto the next. Eventually it got there, after countless re-arranging, contemplation and fiddling!
But once the quilt top was together, I then had to work out how to quilt it. As there weren’t any regular seam lines going all through the top, no large spaces to fill in with a quilting design but lots of seams everywhere, and the fact that it was so busy to look at anyway meant I had to keep the quilting fairly minimal.
I ended up just quilting a quarter-inch echo around most of the blocks and seams.
For the back I used some pink striped fabric and pieced it with bits left from the front..
It’s the time of the year when the Blogger’s Quilt Festival is on over at Amy’s Creative Side blog. It’s a quilt festival for those who can’t get to the festivals in person, instead you can tour around the blogs of all the entrants looking at their amazing quilts. There are also opportunities for prizes so don’t forget to take a look.
I have entered two quilts. The first is this Lollipop Trees quilt, made to the pattern of Kim McLean and using mainly Kaffe Fassett fabrics.
Karen Mundt-Lollipop Trees
I first showed the quilt here.
I’m entering it in the applique section. It was a big quilt for me to make and the most applique I had ever done on a quilt.
My second entry is going in to the Modern category. It’s this quilt I made using one of the score’s from Sherri Lyn Wood’s Improvisational Quilts Handbook, shown on the blog here.
I started with a flying geese block and experimented and improvised, using hand-dyed fabrics and stripes and raw-edged piecing.
I’m not sure what exactly is modern- is anyone?! But it fits the commonly-accepted criteria, so that’s what I’m going with!