My local quilting group often runs workshops and invites other quilters and artists to come along and teach us new techniques and ideas to broaden our skills. We have done a few on dyeing and eco-dyeing, painting fabric and using stencils and stamps to create ‘new’ fabric. We therefore end up with quite a few bits of fabric that we then have to utilise in our projects in some way.
Another challenge that I have completed this year was to use fabric from one of these workshops and produce a completed work for display in our current exhibition. After much deliberation, I picked this piece:
When I stencilled and painted it, I did so with no thought on what it could be used for- it was basically just experimenting and playing. The first thing that came to mind was to just cut it up because there wasn’t any cohesion between the different areas. But then I decided that I could make it into a sampler of sorts, a piece to incorporate little bits of stitching I had experimented with over the years. Pieces I had stitched when experimenting with stitches and threads and scraps…
I decided to add them all with large visible stitching.
Once all the scraps were on, I stitched the whole piece with parallel lines of sashiko-style stitching in different directions using all manners of thread.
…contemplating how to finish it off…
and here is the finished piece:
It seems like a long time in between finished quilts for me, so I’m always happy when I can say ‘I finished one’! This quilt is one I made as a contribution towards the Gatton Quilter’s 2-year-long project to make quilts for donation to local charities. We were lucky to have a lot of fabric donated to the club to use for these quilts, so I chose bright fabrics that I thought would look good in a children’s quilt.
I did blog about the making of it back in February here so that shows I have been taking my time about it :), but mainly just fitting it in around lots of other things happening.
The pattern is adapted from one that appeared in the Homespun magazine in 2015. I took out some applique from the original pattern and made it bigger to fit a single-sized bed. I also decided to arrange the blocks into a gradated colour scheme from blues to reds and yellows diagonally down the quilt.
For the backing I just used up as much of the fabric as I could, so in all it is a very colourful quilt which I hope some lucky boy or girl will like. I quilted it myself on the long-arm with a simplified all-over design of diagonal lines.
The Gatton Quilters have donated quite a number of quilts over the past couple of years and a lot of people put in quite an effort to achieve that. Well done to all!
I have some photos here of the recent Gatton Quilters meeting. We had a few different things happening and lovely examples of quilters’ works.
Our current postcard challenge was to do a travel-themed postcard for Botswana. This is my contribution:
I was able to indulge my fondness for giraffes and featured them with a map of the famous Okavango Delta in the northern part of the country.
Column 1 Top down: Shirley,Lyn, Helen H. Column 2 Marg,Karen. Column 3: Trish, Helen S
We are very fortunate to have some very generous people in the group willing to share their skills. Jan Knight has been teaching the art of ribbon embroidery to those who were keen to learn this beautiful skill.
Jan was a busy girl that day because she also showed us how to make silk paper, using silk or wool tops. The silk was teased out over some tulle laid on a plastic sheet. There are a number of layers, each sprayed with the water/glue mix. The last step was to flatten it out and allow to dry. We haven’t yet seen it in its final stage but I will have to give it a go myself because it looked a very easy process.
And here is the show and tell:
Creating a textile or mixed-media art postcard illustrating travel destinations of the world- this is the current challenge of Gatton Quilters.
The theme for October is Mexico. Continuing on with my theme of maps, I did this little map of the country. I used raw-edge applique with a machine button-hole as well as some free-motion machine stitching.
Here are a few others completed by the members of the art group:
All different styles as you can see, which is always the fun part of seeing what everyone comes up with.
And some ‘show and tell’ – Jan showed these lovely works at the meeting: I can’t resist a birdie!
That’s all I have this week!- I’m very busy with some long-arm quilting at the moment but hope to get back to my own work soon. Have a good week
We managed to find a few sewing and quilting-related shops on our recent trip to France & England. It was handy to have looked them up before we went so we had a list of possibles to try and find. While we didn’t get to all of them, we enjoyed the ones we did!
This little Mercerie in Paris, called “Ultramod” was just a beautiful little old shop- which I know doesn’t seem so from its name!
We found it in a little side road, with a relatively unassuming exterior. It was like stepping into a treasure trove. It still used original wooden fixtures and cardboard boxes. It had a huge assortment of buttons…
and laces and trims…
And on another note, Gatton Quilters’ new monthly quilt art challenge is to create a quilted or mixed-media postcard. The first month was…. Paris!
Here is my little postcard: a map quilt created with bits of fabric, some embellishment and hand stitching to top it off.
And some other works that were shown at the meeting:
And on another another Note!: I will be taking a break from my long-arm quilting business. I have a number of clients’s quilts to finish off by the end of the year, but won’t be taking in any new business after that. I hope to spend more time to do some of my own sewing and quilting, and creating some new things. But you never know what the future holds- I may change my mind and come back to it at some stage! I’ll keep you updated
Have a lovely week quilting!
I have this desire to re-create a textile version of a close-up picture of a flower. I’ve tried a few times with varying levels of success. I love to take macro photos of flowers, to show the detail of those beautiful petals and the way they fold and layer in and around each other. So for this month’s sinchies challenge with my quilt group, and the last in this series, I had another try using just two colours of red and purple.
This was the photo I used as my inspiration:
My version is made with just two layers of fabric, the purple on top of the red. I first traced around the purple petals onto paper and lay that drawing on top of the 2 pieces. I stitched around the outlines of the purple parts and then cut away where I wanted the red to show through. I then started to draw with some Inktense water colour pencils:
I kept the picture near me to use for reference.
It took a lot of shading with the pencils to be able to get that illusion of the petals. I did a few layers, dampening the fabric first then colouring with the pencils.
The last step was then to do lots of top-stitching with purple thread- free-motion stitching to embellish just the purple petals.
When I look at the final picture up close I’m not convinced that it’s turned out as good as I would like, but to look at photos of it, the shading with the pencils does seem to give a realistic interpretation.
The rest of the quilt group also had their sinchie challenge pieces to show at our recent meeting day- we could use any two colours this month:
Row 1: me (Karen), Trish, Jan K, Helen S
Row 2: Meryl, Marilyn, Lyn, Shirley
Isn’t that little bird by Trish so cute- she has been learning to make hand-made lace:
Also at the meeting we saw this marvellous quilt by Kaye:
and some sashiko stitching by Marilyn:
I hope you are all happily quilting!
This month at Gatton Quilters’ monthly get together, there was a lot on show. Those of us in the Art Quilt group had our 6″ square in the colours of red and blue to show and tell. I decided to do a little bird, and picked a Crimson Rosella to portray.
I firstly found a photo of the bird that I liked and traced it and then enlarged it, doing it the old-fashioned way using a grid and free-hand drawing it square by square.
I traced each of the pieces off to make little paper pattern pieces, and placed them on the red and blue wool felt to cut each of them out.
By using the felt, I didn’t have to worry about seam allowances, except those sections which overlapped, and also didn’t have to turn edges under. I stitched each of the pieces in to place on the background fabric. I used a small overcast stitch in matching thread.I then just had to do some further embellishment- I added some red braid and stitching down his chest, straight stitch on his wings and a little cross -stitch near his head. His legs are done with long bullion stitches in charcoal wool. I then sandwiched the piece with some backing and did some free-motion ‘scribbling’ to quilt it together.
He was initially too big to fit on the sinchie so I had intended trimming off his tail once I had him in place, but then didn’t have the heart to! so I left that to hang out over the side.
Here are a few of the sinchies completed by other members of the group:
And some other work by the whole group:
A little quilted 6inch square, in colours of orange and green and depicting something from the theme of flora and fauna. This is my contribution to that challenge.
I really enjoy stitching more and more these days, so I look for the opportunity to incorporate it where I can. I also wanted to utilise fabrics that I coloured myself in hand-dye classes, so these factors were the starting points in creating this piece.
I arranged pieces of hand-dyed fabric on a backing piece of scrap cotton. When they seemed to be in just the right position, I used a drop of glue to keep them in place before taking the piece to the machine and sewing them down.
I just used a normal straight stitch with some clear thread. Because there was effectively a couple of layers of fabric there, I didn’t have to use any stabiliser so could start straight in with the hand-stitching.
I used 2 strands of green cotton thread and mainly running or back stitch and some knots. I stitched these free-hand, without drawing any outlines first. I try to avoid marking where ever possible, mainly because I worry about getting rid of the lines afterwards, especially if I don’t sew exactly on top of any marks. I also prefer a slightly rugged or naive look to stitching
These are various weeds and grasses, sewn against the landscape-y backdrop. To finish it off, I added another piece of fabric as a backing, then hand-stitched around the edge in a big running stitch using a couple of different threads. I knotted them on the top side and also left the raw edges.
Hope you are having a good week.:)
I first ‘created’ this fabric in a workshop on printing, painting, enhancing and embellishing fabric. We used leaves and sticks and various surfaces for mono-prints and transferring images and rubbings. This fabric had various green paints and leaf shapes, so I decided to use it for this month’s green and white Sinchie challenge with Gatton Quilters.
I added further rubbing using a crayon to transfer extra leaf outlines and fill in some spaces.
After cutting out a smaller-sized piece, I started hand-stitching large running stitches across its surface. I used 3 strands of DMC cotton, starting with 3 dark green colour on one side and gradually introducing varying shades of green, changing to a light green by the time I got to the other side.
I also cut out some little pieces of lace from a discarded remnant and incorporated them on the surface with the stitching.
I then added some iron-on pellon to the back, cut out a piece of another fabric and sewed them, right-sides together to make a little quilt.
We often produce lots of pieces of fabric in workshops and classes which can sit in our cupboards for ages before being put to good use. I’m working on trying to incorporate my various bits and pieces in art quilt projects- after all, we can always make more! This is a look at some of the other pieces created by members in our group:
A quilted runner made by Marilyn:
… and a quilt I recently quilted on the long-arm for a special niece’s birthday!
Until next week…
I’ve been working on my little stitch sampler- a project that a group of us began last year under the very capable tutelage of Jan Knight. We had all professed a desire to practice our hand stitching and agreed that we could make a little stitch sampler book- something that was very popular in days gone by.
The design of the sampler was up to the individual, as was the materials to be used. We also wanted it to be a means of exploration and ‘stretching’ the stitch. Jan would show us the basic stitches and then we could copy them and re-interpret them how we wished. I decided to make my pages out of pre-loved linens and soft fabrics. Each page would therefore be different, and probably a different size to each other. These are some of my pages.
I’m still finishing the pages so I’ll keep some to show you when all complete!
I’ve done each page in a wide horizontal shape which I then plan to fold in half into its own little ‘signature’, and put the next page back-to-back with it. I still have to work out how I will stitch the pages into the cover.
I have this old piece of a linen tablecloth which will be the cover, and which also needs some stitching on it.
At the recent quilters meeting, Marilyn showed the group her finished stitch sampler and its beautiful cover –
…such an effective use of the bullion stitch.
I need to get back to stitching… see you next week!