red and purple

I have this desire to re-create a textile version of a close-up picture of a flower. I’ve tried a few times with varying levels of success. I love to take macro photos of flowers, to show the detail of those beautiful petals and the way they fold and layer in and around each other. So for this month’s sinchies challenge with my quilt group, and the last in this series, I had another try using just two colours of red and purple.

Karen Mundt- red and purple challenge

Karen Mundt- red and purple challenge


This was the photo I used as my inspiration: redpurpleinsp
My version is made with just two layers of fabric, the purple on top of the red. I first traced around the purple petals onto paper and lay that drawing on top of the 2 pieces. I stitched around the outlines of the purple parts and then cut away where I wanted the red to show through. I then started to draw with some Inktense water colour pencils:
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I kept the picture near me to use for reference.
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It took a lot of shading with the pencils to be able to get that illusion of the petals. I did a few layers, dampening the fabric first then colouring with the pencils.
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The last step was then to do lots of top-stitching with purple thread- free-motion stitching to embellish just the purple petals.
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When I look at the final picture up close I’m not convinced that it’s turned out as good as I would like, but to look at photos of it, the shading with the pencils does seem to give a realistic interpretation.
Karen Mundt- red and purple challenge

Karen Mundt- red and purple challenge


The rest of the quilt group also had their sinchie challenge pieces to show at our recent meeting day- we could use any two colours this month:
group-july1
Row 1: me (Karen), Trish, Jan K, Helen S
Row 2: Meryl, Marilyn, Lyn, Shirley
Isn’t that little bird by Trish so cute- she has been learning to make hand-made lace:
Trish

Trish


Also at the meeting we saw this marvellous quilt by Kaye:
Made by Kaye C

Made by Kaye C


and some sashiko stitching by Marilyn:
Marilyn

Marilyn


I hope you are all happily quilting!

red and blue

This month at Gatton Quilters’ monthly get together, there was a lot on show. Those of us in the Art Quilt group had our 6″ square in the colours of red and blue to show and tell. I decided to do a little bird, and picked a Crimson Rosella to portray.
June4
I firstly found a photo of the bird that I liked and traced it and then enlarged it, doing it the old-fashioned way using a grid and free-hand drawing it square by square.
June1
I traced each of the pieces off to make little paper pattern pieces, and placed them on the red and blue wool felt to cut each of them out.
June2
By using the felt, I didn’t have to worry about seam allowances, except those sections which overlapped, and also didn’t have to turn edges under. I stitched each of the pieces in to place on the background fabric. I used a small overcast stitch in matching thread.I then just had to do some further embellishment- I added some red braid and stitching down his chest, straight stitch on his wings and a little cross -stitch near his head. His legs are done with long bullion stitches in charcoal wool. I then sandwiched the piece with some backing and did some free-motion ‘scribbling’ to quilt it together.
June3
He was initially too big to fit on the sinchie so I had intended trimming off his tail once I had him in place, but then didn’t have the heart to! so I left that to hang out over the side.
Here are a few of the sinchies completed by other members of the group:

Top row: Helen S, Marg Y, Trish K; Row 2: Helen H, Marilyn, me; Row 3: Shirley.

Top row: Helen S, Marg Y, Trish K; Row 2: Helen H, Marilyn, me; Row 3: Shirley.


And some other work by the whole group:
Jeanette O

Jeanette O


Helen H

Helen H


Kaye C- prize-winning quit!

Kaye C- prize-winning quit!


Shirley- children's quilt

Shirley- children’s quilt

orange marmalade

A few updates on what I’ve been sewing lately. This month’s colour sinchie challenge(Gatton Quilters Art Group) was to use the two colours orange and red. This is what I decided to do.

May- Orange and Red Sinchie Challenge

May- Orange and Red Sinchie Challenge


I used a piece of hand-dyed orange cotton I did in a workshop quite a few years ago -which I still have lots of and comes in handy quite often!- as the backing. I hand-sewed a cat to put on top- an orange and red striped tabby. I only used variations of orange and red in the block, but quite a few different values of those colours. It’s great fun to see what effect you can have but still only keep the limit to 2 colours.
orange-red2
I added a piece of silk sari ribbon scrap on the side and added more hand-sewn embellishment plus some hand-stitching to the right side. It was then finished off by just backing with some thin batting and zig-zagging around the edge. hence, Marmalade the cat!
orange-red3
I also had a lovely weekend staying at the Bunya Mountains with a group of sewing & crafting ladies. It is a beautiful place up there in the Bunyas and we had an excellent house for the stay. Lots of wallabies visited us, including this youngster who, despite Mum’s encouragement, didn’t want to leave home!
Bunya wallaby

Bunya wallaby


I took along the makings of a baby quilt. I had found a lovely animal panel which i cut up into the individual blocks and my plan is to sew those into a quilt surroundered by coloured pices and strips. The colourful fabric I used was from the ‘Story Collection’ by Carrie Bllomston, which I had admired for some time and was happy to have something to use it for!
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I made some flying geese blocks and some quarter-square triangle blocks and cut strips and set about to put them altogether in a random fashion.
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That quilt top is about half-made now, so hopefully I can get stuck into it and finish it off in the next few weeks.
bunya-sewing
And one last thing- this is the block for May for the do.Good.Stitches quilt that I am taking part in. This block was made by sewing together randomly-sized wedges of fabric to make a sort-of starburst block. Our instructions were to use bright colours which I think I did!
May-do.Good Stitches- Cherish group

May-do.Good Stitches- Cherish group


Have a great week!

orange and green

A little quilted 6inch square, in colours of orange and green and depicting something from the theme of flora and fauna. This is my contribution to that challenge.

Karen Mundt- Orange & Green Challenge

Karen Mundt- Orange & Green Challenge


I really enjoy stitching more and more these days, so I look for the opportunity to incorporate it where I can. I also wanted to utilise fabrics that I coloured myself in hand-dye classes, so these factors were the starting points in creating this piece.
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I arranged pieces of hand-dyed fabric on a backing piece of scrap cotton. When they seemed to be in just the right position, I used a drop of glue to keep them in place before taking the piece to the machine and sewing them down.
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I just used a normal straight stitch with some clear thread. Because there was effectively a couple of layers of fabric there, I didn’t have to use any stabiliser so could start straight in with the hand-stitching.
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I used 2 strands of green cotton thread and mainly running or back stitch and some knots. I stitched these free-hand, without drawing any outlines first. I try to avoid marking where ever possible, mainly because I worry about getting rid of the lines afterwards, especially if I don’t sew exactly on top of any marks. I also prefer a slightly rugged or naive look to stitching
orange-green2
These are various weeds and grasses, sewn against the landscape-y backdrop. To finish it off, I added another piece of fabric as a backing, then hand-stitched around the edge in a big running stitch using a couple of different threads. I knotted them on the top side and also left the raw edges.
Karen Mundt- Orange & Green Challenge

Karen Mundt- Orange & Green Challenge


Hope you are having a good week.:)

green and white

I first ‘created’ this fabric in a workshop on printing, painting, enhancing and embellishing fabric. We used leaves and sticks and various surfaces for mono-prints and transferring images and rubbings. This fabric had various green paints and leaf shapes, so I decided to use it for this month’s green and white Sinchie challenge with Gatton Quilters.
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I added further rubbing using a crayon to transfer extra leaf outlines and fill in some spaces.
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After cutting out a smaller-sized piece, I started hand-stitching large running stitches across its surface. I used 3 strands of DMC cotton, starting with 3 dark green colour on one side and gradually introducing varying shades of green, changing to a light green by the time I got to the other side.
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I also cut out some little pieces of lace from a discarded remnant and incorporated them on the surface with the stitching.
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I then added some iron-on pellon to the back, cut out a piece of another fabric and sewed them, right-sides together to make a little quilt.
g&w4
We often produce lots of pieces of fabric in workshops and classes which can sit in our cupboards for ages before being put to good use. I’m working on trying to incorporate my various bits and pieces in art quilt projects- after all, we can always make more! This is a look at some of the other pieces created by members in our group:

Top row: Marilyn, Marg, Helen H, me Bottom row: Meryl, Lyn, Jan K, Shirley

Top row: Marilyn, Marg, Helen H, me
Bottom row: Meryl, Lyn, Jan K, Shirley


A quilted runner made by Marilyn:
Marilyn

Marilyn


… and a quilt I recently quilted on the long-arm for a special niece’s birthday!
longarm1
Until next week…

shades of purple

The challenge for the art quilt group I belong to was to make a 6inch quiltlet using only two colours- for January it was purple and yellow, and for February it was purple and white.This is the first one:

Karen --purple lotus

Karen –purple lotus


These small pieces are an excellent way of playing and experimenting- not just with a design restricted to two colours, but also techniques and materials. I’ve tried to vary all of these in each month’s piece that I’ve made. I had use of a needle felting machine over the Christmas period so thought I would have a play with it. I used scraps of jewel-coloured sari silk and wool roving which I tore up into bits and laid over a piece of soft wool felt as the background. It probably doesn’t look overly recognisable, but the look I was going for was a lotus flower (!).
felt4
Varieties of purple pieces were felted down over an outline of petals, with yellow silk for the middle. I did try to do some shading, making some petal edges a different shade, but then added on afterwards some small pieces of torn cotton fabric to the edges for further emphasis. I did lots of free-motion stitching over the flower itself, and some scribble-stitching around the whole flower.
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To finish it off, I sewed it down onto a piece of hand-dyed purple cotton, sewing roughly around the edges numerous times, not wanting it to look too neat! I then trimmed that down (we are making them all at 6″ square),added a back on to it and turned it through, pillow-case style.
For the next one, using only purple and white, I decided to do a foundation-pieced butterfly.
Karen-purple flutterby

Karen-purple flutterby


I found a pattern somewhere in one of my books and made it using a variety of purples and whites, and some of my own painted fabric for the background pieces. I then added a striped border with mitred corners-
p-w3
p-w1
At the monthly meeting we all got to see everyone else’s interpretation of the flora and fauna theme with those colours:
Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn

Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn


Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl

Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl

workshopping

A couple of weeks back, I mentioned about the workshop we had here at Gatton, run by Ali George. I realised that I didn’t show many of the pieces I made on the day, so thought I would do so now.
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All of the pieces needed the paints or oil stick or wax set in some way, so I have finally got around to doing that now. We produced quite a variety of different fabrics, and the challenge now is to use them in some way in our art quilts. That can be easier said than done- I find myself staring at all of them trying to come up with ideas on how best to make the most of them. That first picture above shows some leaves that were rolled with paint onto the fabric in a random arrangement, as with the one below:
paint4
This piece started out as black fabric, which I then treated with some soy wax resist and bits of string, as well as gel bleach, to produce the design: I’m sure I can see a definite face.
wax-resist1
This one used fabric paint with a wood block stamp- I like it because it gives the appearance of an aerial view of city streets:
paint2
I think I will probably cut that one up to use in smaller blocks within an art quilt.
This couple were done with oil crayons and rubbing over surfaces- whatever surface could be found at the time:
crayon-page
I used some stencils made with an old card and some gold paint to make the bauble-shapes on top of the blue and purple – it was actually a ‘clean-up’ cloth but now looks special- it might come in handy for some Christmas sewing:
paint3
This next one was also a clean-up cloth until Ali grabbed it to use as a demonstration of the effect you will get when you tie string around a brayer and run it through some paint: those lovely green skinny lines made the cloth resemble scattered poppies. This has turned out to be my favourite piece of the day. I can see it being embellished with lots of hand-stitching:
poppies
This last one has an industrial look to it- produced with paint over a grid of masking tape and bubble-wrap:
paint1
Any suggestions on how to utilise them?!

white, white and more white….

This is a 6″square; a quilted close-up picture of a rose.

Karen Mundt

Karen Mundt


With the colours of this month’s challenge being white and yellow, I set myself a little challenge to see if I could recreate the picture using only shades of white. I found a photo of a white rose with the focus on its beautiful centre. I used a method of Upside Down Applique, which I learnt in an online course I did years ago with the now-defunct Quilt University. It’s the same method I used to create this flower picture, shown here on the blog back in August:
Frangipani- Karen Mundt

Frangipani- Karen Mundt


After taking a photocopy of the photo, I traced around all the little sections where the colour changed and worked out that I could create it with 4 shades of white, which I numbered 1 to 4. I used little bits of yellow for the darkest bits.
We always hear about lots of shades of white- winter white, warm white, bright white etc so when you line up a few against each other, it’s easy to be able to arrange them in order from ‘light’ to ‘dark.’
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I traced the picture onto a piece of stabiliser and numbered all the pieces according to which shade of white was needed. I then used that to applique each little piece, sewing it down from the reverse side.
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I started with the darkest pieces first, working on the rule that dark colours recede and lights advance. The darkest sections in the picture were in fact the deepest recesses of the curled petals. I added a piece of the darkest white fabric to all those spots, following the lines drawn on the stabiliser and therefore sewing from the back side – sort of like how we do foundation piecing. I used a clear monofilament thread in the bobbin and white thread in the needle, sewing exactly along the lines with an embroidery foot and dropped feed dogs.
white2
Once each piece is sewn down it can be trimmed as close as possible to the sewing line, except those parts where one piece under-laps another piece yet to be added. I sewed all the Number 4 pieces and the yellow, then moved onto White #3, sewed all those, and so on down to White #2 and White #1.
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As I sewed each piece, I coloured in that piece on my little drawing just to keep track of which bits had been sewn.
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After all pieces are sewn down and the edges clipped,
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I turned it around with the front facing up and then did lots of free-motion top-stitching with white thread around all the pieces. The little quilt was then backed and some last quilting done on top.
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I added a little bit of dark pencil to create shadows and add dimension along some of the edges.
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The flower-shape looks a little clearer when seen from a distance, as in the photo below taken with all of the quiltlets made by our quilt group at our recent meeting. One thing that I should have utilised more was the effect that was achieved in the white pieces that surroundered the small yellow pieces. The yellow created a shadow under the white, so in effect performed the role of another ‘colour’ to add to the variations.
You can see in the photo below the interpretations everyone came up with on the Flora & Fauna theme and only using white and yellow.
L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S

L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S


trishhelen
Trish and Helen S

Jan K

Jan K


Meryl, Lyn

Meryl, Lyn


This next photo is a few quilts left from last month’s orange and white theme.
Clockwise from top left: Helen S, Shirley, Jan M, Meryl

Clockwise from top left: Helen S, Shirley, Jan M, Meryl

art play

We had a workshop last weekend for a dozen or so of us in the Gatton Quilters who are interested in trying out new methods and techniques for perpetuating our memories with art quilts. The very talented and lovely Ali George travelled to us to guide us along the way for the two-day workshop.
wshop5
We learnt so many different techniques and tried out a lot of products, samples of which Ali had brought along for us to try and experiment with.
wshop3
We firstly used leaves and twigs; covering them with paint and taking a print. This expanded to stencils and masks and stamps, using acrylic paints and wax crayon. Ali showed us how easy it was to make our own stencils out of a piece of card and carve a stamp from an eraser. We tried wax crayons, or paintsticks, to make rubbings from random surfaces, and dipped fabric in rusting and tannin solutions to dye our fabrics.
On this little piece in the next photo, I used a small stencil I cut from card in what I thought was a teardrop shape. But after using some gold and blue paintsticks to rub around the edges, I realised that it actually looks like Christmas baubles! It’s given me some ideas- it might make great handmade Christmas cards!
wshop2
wshop1
We also used bleach with random objects to ‘take away’ the colour from black fabric in our own designs, as well as using soy wax as a resist and then spraying with bleach to extend the effects.
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Ali had some great wood blocks and stencils for us to play with.
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wshop7
Workshops like these are fantastic in giving you time to play and experiment. I’m sure we had all heard of using stamps and paints and dyes etc. but it’s not until you take the time to experiment and play with repetition and variation that you really see what the possibilities are. Ali was a great tutor and very generous with her time and ‘allowing’ us to play. I think I can safely say on behalf of all of us that the weekend was really worthwhile and we’d highly recommend for anyone to invest their time. Go play!

Ali George

Ali George

orange and white

Working with white can be a little tricky. It is very stark and bright-especially when combined with orange! Those were the two colours for this month’s art quilt group challenge. Once again, a 6″square using only two colours, and something to do with flora or fauna.
orangeandwhite1
I took quite awhile to decide on what to do with this one, as I usually do. More time is spent in the thinking and designing than there is on the actual creating. An orange when dissected, that is orange fruit, is actually just orange and white and no other colour. So I thought to depict a cut orange off-centred and partly off the square would fill the brief.
I first drew out the orange and the components I would need to get them well-proportioned and placed how I wanted them. I then used that as my ‘pattern’ and traced out the segments onto vliesofix.
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I then ironed those parts onto some of my own hand-dyed orange fabric and then cut out and placed the pieces of orange fabric on a square of white felt as the background.
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I free-motion stitched around the orange pieces, and did some stippling in white thread on the background to give some contrast in the texture.
orangeandwhite1
Here are the interpretations from other quilters in the group:

Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn

Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn


Such fun to see what they all come up with!