I recently finished this baby quilt as a gift for a recipient that likes lots of bright colours! I first spotted the fabric with the black and white animals- the owl, the bear and fox, and bought a length of it to play with.
Karen Mundt-Little Owl
I thought it might look good to cut the animal squares out into separate pieces and put together with improv-pieced blocks, some coloured accents and some black and white diamond print fabric which I already had- it fitted in perfectly!
I think the little fox is my favourite..
I also quilted it myself on the long-arm and added the label on the back, and it’s all done!
I’m going away soon to visit the UK Festival of Quilts in Birmingham, so my posting on here may be a little erratic! But I’ll have lots of photos to show you of what we see and do while we are there.
I made this quilt towards the end of last year but I don’t think I have shown it on here before. I call it Urban Sprawl and it is of my own design.
Karen Mundt- Urban Sprawl
I made it in the improv style; starting with lots of little pieces cut and joined in all manner of ways. It was fun to just play and experiment with putting together building blocks which were then joined with others to gradually make larger pieces of the quilt top.
I had always wanted to make a quilt that was mainly white, or off-white, and little pops of colour. My preference has always been for pieced quilts, so I pieced together wonky flying geese blocks, inserted narrow strips here and there, deliberately didn’t line things up and eschewed the use of a ruler in most cases.
The main theme I had in mind was a play on a cityscape. There are narrow buildings and structures in amongst rooflines of houses.
Probably the hardest part was actually putting it all together at the end; making the pieces fit together with odd-shaped coping, or sashing, strips to put some order into it all. This is where a design wall comes in handy!
I backed it with a white backing and faced it, instead of binding. I quilted it with straight and angled lines, some of which echoed the house and building shapes.
If you are in Brisbane between 27 to 29 April, go along to a quilt display being held by Queensland Quilters, called Quilt Connect. This quilt will be hanging there, along with the quilts of 4 others from my local quilt group, and many others from groups across Queensland, all affiliated with Queensland Quilters. The details are:
So, here we are in the New Year and Christmas is over already! It’s no secret in my family that I love Christmas, so I’m always a little sad when it’s time to pack up all the Chrissy decorations and bits and pieces. But before I do that I hope you don’t mind that I show a last couple of pictures of various Christmas bits and bobs I found still up around the area
And my Christmas quilt that I showed in the last post: I have a few more photos here. The outer star border was made with random text fabrics, with the star points cut out of my scrappy fabric that I put together on the side, as I’ve shown before. I love these blocks in particular- just something about the use of the bright scraps against the black/white text pieces makes me happy!
I quilted it in an all-over free-hand pattern and took it with me on our little Christmas break to finish hand-sewing the binding.
I did some other Christmas sewing as well- I made this little bag (using the Sew Together pattern by ‘Sew Demented’) for my daughter. These are fun little bags and so very useful with their zippered sections which you can make in different fabrics and coloured zips:
She could use it for make-up, or sewing or coloured pencils…..
I have a lot of long-arm quilting waiting for me so I’ll be busy catching up on that for the next little while. Have a good week!
This is a 6″square; a quilted close-up picture of a rose.
With the colours of this month’s challenge being white and yellow, I set myself a little challenge to see if I could recreate the picture using only shades of white. I found a photo of a white rose with the focus on its beautiful centre. I used a method of Upside Down Applique, which I learnt in an online course I did years ago with the now-defunct Quilt University. It’s the same method I used to create this flower picture, shown here on the blog back in August:
Frangipani- Karen Mundt
After taking a photocopy of the photo, I traced around all the little sections where the colour changed and worked out that I could create it with 4 shades of white, which I numbered 1 to 4. I used little bits of yellow for the darkest bits.
We always hear about lots of shades of white- winter white, warm white, bright white etc so when you line up a few against each other, it’s easy to be able to arrange them in order from ‘light’ to ‘dark.’
I traced the picture onto a piece of stabiliser and numbered all the pieces according to which shade of white was needed. I then used that to applique each little piece, sewing it down from the reverse side.
I started with the darkest pieces first, working on the rule that dark colours recede and lights advance. The darkest sections in the picture were in fact the deepest recesses of the curled petals. I added a piece of the darkest white fabric to all those spots, following the lines drawn on the stabiliser and therefore sewing from the back side – sort of like how we do foundation piecing. I used a clear monofilament thread in the bobbin and white thread in the needle, sewing exactly along the lines with an embroidery foot and dropped feed dogs.
Once each piece is sewn down it can be trimmed as close as possible to the sewing line, except those parts where one piece under-laps another piece yet to be added. I sewed all the Number 4 pieces and the yellow, then moved onto White #3, sewed all those, and so on down to White #2 and White #1.
As I sewed each piece, I coloured in that piece on my little drawing just to keep track of which bits had been sewn.
After all pieces are sewn down and the edges clipped,
I turned it around with the front facing up and then did lots of free-motion top-stitching with white thread around all the pieces. The little quilt was then backed and some last quilting done on top.
I added a little bit of dark pencil to create shadows and add dimension along some of the edges.
The flower-shape looks a little clearer when seen from a distance, as in the photo below taken with all of the quiltlets made by our quilt group at our recent meeting. One thing that I should have utilised more was the effect that was achieved in the white pieces that surroundered the small yellow pieces. The yellow created a shadow under the white, so in effect performed the role of another ‘colour’ to add to the variations.
You can see in the photo below the interpretations everyone came up with on the Flora & Fauna theme and only using white and yellow.
L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S
Trish and Helen S
This next photo is a few quilts left from last month’s orange and white theme.
Clockwise from top left: Helen S, Shirley, Jan M, Meryl
So, I’ve been working on a Christmas quilt. I’ve always wanted to make one, but this is actually the first one I’ve tried. I’m using a pattern by Wendy Williams called “Oh Christmas Tree”, with a combination of felt and cotton fabrics for the applique. I actually started it last year but left it too late to start and didn’t finish in time for Christmas, so now I’m aiming for this year!
Christmas Tree in progress- Karen Mundt
It’s colourful and cute, with little birdies included!, and provides the opportunity to use colourful threads and stitches for embellishment.
The fabric I’ve used for the background for the tree is some ‘NYC Line-by-Line Day’ that I bought in New York last year. It’s a fantastic ‘text’-type fabric and I thought this was an ideal project to use it for.
I’ve just about finished the centre panel and sewn the red triangle border.
The outside border is made from wonky star blocks, and I decided to make the stars from my ‘scrappy’ fabric. Scrappy fabric is what I make up from stitching together all my scrappy bits and pieces, the left-over bits from everything else. Here is a block I’ve made as a trial. I think it looks okay?
I think I have probably shown my scrappy fabric method here on the blog before. It’s a great little ongoing process to do when you are doing some non-stop string piecing of blocks- you can just sew together a couple of scraps in between runs rather than end and cut the thread after each seam. Some people use a small piece of fabric when they start and end sewing- sometimes called leaders and enders- to stop the fabric getting sucked down into the bobbin when they start sewing, or sew off onto the end rather than waste thread by cutting it each time. Just sew some scraps together instead.
By just sewing 2 scraps together every now and then, and then sewing that to another piece, and so on and so on, before you know it you have a large piece of scrappy fabric that can be used for another project, and you are actually working on two projects at once. Multi-tasking!
I just keep joining scraps until I get a fairly large piece, which can also be joined together later if you need it to be bigger.
I keep a bucket of scraps beside my machine, and occasionally swap that for a different bucket- I have a few of them in my cupboard.:)
The uneven sides are just straightened up to add other bits to it; you can see the cuts I’ve made in this next photo. Those bits aren’t wasted- they become the start of the next piece!
Anyway, I need to finish the centre tree panel as well as the star borders and then put it all together. I better get stuck into it or it may turn into a 3-year project!
I’ve been playing with scraps lately. Cutting up lots of pieces and sewing them back together, as we do. I started making these pieces of improvisation a couple of months ago, just constructing blocks of no particular size or shape and no design in mind.
When I got them back out again this weekend I put up on a board the bits I had already made, to get some ideas on how I want them to all be joined up together.
A very favourite theme of mine is cityscapes, so it’s not surprising that I finally decided on building a quilt around that idea- a view of a city in a sort-of deconstructed way. I have some lop-sided flying geese blocks, triangles and log cabin blocks which when put together resemble houses and buildings. I like that idea, and I’m on my way!
I am using lots of white with pops of colour, some greens and blues, a little purple and brown spots. I want it to be a ‘modern’ style quilt, so the aim is to have lots of negative space.
I’ve also made this month’s blocks for the Cherish do.Good.Stitches charity quilt that I contribute to: these are the Delectable Mountain block, or sometimes known by a few different names like Mountain Majesties, in black, grey and white:
Lots of colour to show you this week! The following quilt is one that I did not make, but I did do the quilting.
Meryl made this and asked me to quilt it. It’s a bargello-style quilt that makes the most out of the multi-coloured batik fabric.
I quilted it in an overall design with long horizontal looped lines which highlighted the colour changes in the fabric, in a dark gold thread.
It’s a beautiful and brightly coloured quilt.
Last week, fabric and quilt designer Tula Pink visited Toowoomba to give a talk on how she came to do what she does so very well, and to show some of her quilts.
Tula is a very entertaining speaker, naturally funny and quick-witted. She spoke at the Precious Time quilt shop in Toowoomba and everyone there had a great time, both listening to her and getting a peek at some fabulous quilts. Tula said that all the quilting on her quilts is done by Angela Walters, so I was very interested to have a close-up look at the quilting- just fantastic work.
We also got a sneak peek at her newest fabric line, Slow and Steady, which is about to b ereleased. All her fabric lines feature animals, and this new one will be a play on the tortoise and the hare fable.
She made this quilt out of that new fabric:
A lot of the people there brought along the quilts they have made with her fabric, and some even got Tula to sign their quilt. This first one below is some hexie quilt!
It was a great day to get some injection of inspiration to get sewing!
I started this art quilt last year. My Small World Quilt is made from a pattern by Jane Kingwell, and was featured in the Quiltmania magazine.
Karen Mundt- My Small World
It combines my loves of lots of different fabrics- the ‘scrappy look’- with the theme of buildings and houses. Of course, how you choose what fabrics to use is entirely an individual choice. At the time there was an online Quilt-Along and accompanying Instagram groups, so it was fun to check them out to see how others interpreted it.
I used only fabrics that I already had, and it was a chance to use some different little bits and pieces. Like this little doggy…
and this little girl at the window…
I used light low-volume fabrics for the sky area, some with text, some with spots or self-patterns. I started with some pale blues and pinks close to the skyline, fading them to lighter colours as it went higher.
I also made one little change. In place of the little Pisa tower block, I instead added in a little hand-embroidered block of the Statue of Liberty. That was to reflect my trip to the States, taken during the time I was making it.
It also took me a long time to decide on how to quilt it. I actually put the needle in at an arbitrary place, grabbed the ruler and decided to quilt first one line, then another, turned that into a diamond. Echoed that, did another diamond further across, repeat. That was for the top half- the sky. When I got to the lower half, I just quilted all over in an irregular grid about 2 inches apart.
I backed it with a white and brown stripe, which I also used for the binding.
I really enjoyed making this quilt. With all the different blocks and fabric choices to make, you don’t get bored with it and its fun to see what the next section will look like! I enjoyed it so much, I may even make another version some day!
This mini quilt top was created by using bias strips- brightly coloured strips on texty backgrounds.
Karen Mundt- Symbols
I used one of those little bias maker tools, where you feed in the strips of fabric cut on the bias and it turns over the edges so you can iron them down as it comes out the other end. Do you have one of those sitting in your drawer, not used for a long time, like me?!
I joined the Mighty Lucky club which is going to highlight some new methods and techniques each month. I thought it would be good to get me thinking about new things and to just have a play. The first month was about using bias strips to create a modern quilt.
For some reason these symbols popped into my head so I decided to try and make a few of them. I used a 3/4″ strip because I thought I would need it to be a bit on the thinner side to get it to curve how I needed.
However in retrospect I think wider strips might have looked a bit better- the symbols look a bit ‘spindly’ to my eyes- what do you think? I’m not over-pleased with it, but it’s okay!
It was fairly easy to do- I arranged the strips into the shapes and then used some glue to hold them in place while I sewed them down by machine. Using the Edgestitch foot (#10C on my Bernina) made that easy.
The instructions that were given included the use of iron-on adhesive which I didn’t have any of, so the Roxanne glue did a good job instead. I used a monofilament thread but of course you can use any coloured threads to make the stitching a feature.
Not sure what I will do with this now though- it may even end up being slashed and re-assembled for another modern quilt along the way!