eye candy in Paris

We managed to find a few sewing and quilting-related shops on our recent trip to France & England. It was handy to have looked them up before we went so we had a list of possibles to try and find. While we didn’t get to all of them, we enjoyed the ones we did!
This little Mercerie in Paris, called “Ultramod” was just a beautiful little old shop- which I know doesn’t seem so from its name!
shop3
Paris-shop
We found it in a little side road, with a relatively unassuming exterior. It was like stepping into a treasure trove. It still used original wooden fixtures and cardboard boxes. It had a huge assortment of buttons…
shop1
and laces and trims…
shop2
shop4
shop7
shop5

some lovelies to just look at...

some lovelies to just look at…


And on another note, Gatton Quilters’ new monthly quilt art challenge is to create a quilted or mixed-media postcard. The first month was…. Paris!
Here is my little postcard: a map quilt created with bits of fabric, some embellishment and hand stitching to top it off.
Karen Mundt

Karen Mundt


Paris-card1
Paris-card3
Top: Marilyn, Karen, Helen S; Row 2: Trish, Jan M, Marg; Row 3: Helen H, Shirley, Lyn

Top: Marilyn, Karen, Helen S; Row 2: Trish, Jan M, Marg; Row 3: Helen H, Shirley, Lyn


And some other works that were shown at the meeting:
Kaye C- sashiko table runner

Kaye C- sashiko table runner


Marilyn- table runners

Marilyn- table runners

And on another another Note!: I will be taking a break from my long-arm quilting business. I have a number of clients’s quilts to finish off by the end of the year, but won’t be taking in any new business after that. I hope to spend more time to do some of my own sewing and quilting, and creating some new things. But you never know what the future holds- I may change my mind and come back to it at some stage! I’ll keep you updated :)
Have a lovely week quilting!

what I’ve been up to….

So it’s July and we are half-way through the year. The stitching project I embarked on in January- ‘1 Year of Stitches’ is now also 6-months old. I stitch a little every day, sometimes only a few stitches, sometimes a little more. Looking at the latest progress photo, I’m wondering whether I’ve used up more than half of the available background?!

Karen M- Year of Stitches

Karen M- Year of Stitches


There is still a lot of filling of gaps to do yet, so I shouldn’t run out before year’s end. (I post a progress photo on Instagram every few days if you want to see more.) It’s turning into a little community. See the waves of the beach over to the right with the friendly whale! There’s also a ship with the Aussie flag- a little nod to my son in the Navy.
I’ve also completed the block for June for the do.Good. stitches charity quilt group: our instructions were to use only shades of green, yellow and white with a pink centre.
June- Cherish group- do.Good

June- Cherish group- do.Good


And apart from that, I’ve also been busy with client’s quilts on the longarm. Here’s a couple of recent finishes:
D2
D1
Such a gorgeous blue on this children’s quilt.
D3D4
S4
S2
S3
Hope you are also having a productive week!

urban sprawl

I made this quilt towards the end of last year but I don’t think I have shown it on here before. I call it Urban Sprawl and it is of my own design.

Karen Mundt-  Urban Sprawl

Karen Mundt- Urban Sprawl


I made it in the improv style; starting with lots of little pieces cut and joined in all manner of ways. It was fun to just play and experiment with putting together building blocks which were then joined with others to gradually make larger pieces of the quilt top.
Karen Mundt

Karen Mundt


I had always wanted to make a quilt that was mainly white, or off-white, and little pops of colour. My preference has always been for pieced quilts, so I pieced together wonky flying geese blocks, inserted narrow strips here and there, deliberately didn’t line things up and eschewed the use of a ruler in most cases.
sprawl-a
sprawl-b
The main theme I had in mind was a play on a cityscape. There are narrow buildings and structures in amongst rooflines of houses.
sprawl-c
Probably the hardest part was actually putting it all together at the end; making the pieces fit together with odd-shaped coping, or sashing, strips to put some order into it all. This is where a design wall comes in handy!
sprawl-d
I backed it with a white backing and faced it, instead of binding. I quilted it with straight and angled lines, some of which echoed the house and building shapes.
sprawl-e
If you are in Brisbane between 27 to 29 April, go along to a quilt display being held by Queensland Quilters, called Quilt Connect. This quilt will be hanging there, along with the quilts of 4 others from my local quilt group, and many others from groups across Queensland, all affiliated with Queensland Quilters. The details are:

QuiltConnect

Mt Gravatt Show Grounds

1644 Logan Rd Mt Gravatt

(best entrance via Broadwater Rd)

Thurs 27 to Sat 29 April 2017.

Karen Mundt

Karen Mundt

green and white

I first ‘created’ this fabric in a workshop on printing, painting, enhancing and embellishing fabric. We used leaves and sticks and various surfaces for mono-prints and transferring images and rubbings. This fabric had various green paints and leaf shapes, so I decided to use it for this month’s green and white Sinchie challenge with Gatton Quilters.
g&w1
I added further rubbing using a crayon to transfer extra leaf outlines and fill in some spaces.
g&w2
After cutting out a smaller-sized piece, I started hand-stitching large running stitches across its surface. I used 3 strands of DMC cotton, starting with 3 dark green colour on one side and gradually introducing varying shades of green, changing to a light green by the time I got to the other side.
g&w3
I also cut out some little pieces of lace from a discarded remnant and incorporated them on the surface with the stitching.
g&w5
I then added some iron-on pellon to the back, cut out a piece of another fabric and sewed them, right-sides together to make a little quilt.
g&w4
We often produce lots of pieces of fabric in workshops and classes which can sit in our cupboards for ages before being put to good use. I’m working on trying to incorporate my various bits and pieces in art quilt projects- after all, we can always make more! This is a look at some of the other pieces created by members in our group:

Top row: Marilyn, Marg, Helen H, me Bottom row: Meryl, Lyn, Jan K, Shirley

Top row: Marilyn, Marg, Helen H, me
Bottom row: Meryl, Lyn, Jan K, Shirley


A quilted runner made by Marilyn:
Marilyn

Marilyn


… and a quilt I recently quilted on the long-arm for a special niece’s birthday!
longarm1
Until next week…

white, white and more white….

This is a 6″square; a quilted close-up picture of a rose.

Karen Mundt

Karen Mundt


With the colours of this month’s challenge being white and yellow, I set myself a little challenge to see if I could recreate the picture using only shades of white. I found a photo of a white rose with the focus on its beautiful centre. I used a method of Upside Down Applique, which I learnt in an online course I did years ago with the now-defunct Quilt University. It’s the same method I used to create this flower picture, shown here on the blog back in August:
Frangipani- Karen Mundt

Frangipani- Karen Mundt


After taking a photocopy of the photo, I traced around all the little sections where the colour changed and worked out that I could create it with 4 shades of white, which I numbered 1 to 4. I used little bits of yellow for the darkest bits.
We always hear about lots of shades of white- winter white, warm white, bright white etc so when you line up a few against each other, it’s easy to be able to arrange them in order from ‘light’ to ‘dark.’
white5
I traced the picture onto a piece of stabiliser and numbered all the pieces according to which shade of white was needed. I then used that to applique each little piece, sewing it down from the reverse side.
white4
I started with the darkest pieces first, working on the rule that dark colours recede and lights advance. The darkest sections in the picture were in fact the deepest recesses of the curled petals. I added a piece of the darkest white fabric to all those spots, following the lines drawn on the stabiliser and therefore sewing from the back side – sort of like how we do foundation piecing. I used a clear monofilament thread in the bobbin and white thread in the needle, sewing exactly along the lines with an embroidery foot and dropped feed dogs.
white2
Once each piece is sewn down it can be trimmed as close as possible to the sewing line, except those parts where one piece under-laps another piece yet to be added. I sewed all the Number 4 pieces and the yellow, then moved onto White #3, sewed all those, and so on down to White #2 and White #1.
white7
As I sewed each piece, I coloured in that piece on my little drawing just to keep track of which bits had been sewn.
white8
After all pieces are sewn down and the edges clipped,
white6
I turned it around with the front facing up and then did lots of free-motion top-stitching with white thread around all the pieces. The little quilt was then backed and some last quilting done on top.
white3
I added a little bit of dark pencil to create shadows and add dimension along some of the edges.
white9
The flower-shape looks a little clearer when seen from a distance, as in the photo below taken with all of the quiltlets made by our quilt group at our recent meeting. One thing that I should have utilised more was the effect that was achieved in the white pieces that surroundered the small yellow pieces. The yellow created a shadow under the white, so in effect performed the role of another ‘colour’ to add to the variations.
You can see in the photo below the interpretations everyone came up with on the Flora & Fauna theme and only using white and yellow.
L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S

L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S


trishhelen
Trish and Helen S

Jan K

Jan K


Meryl, Lyn

Meryl, Lyn


This next photo is a few quilts left from last month’s orange and white theme.
Clockwise from top left: Helen S, Shirley, Jan M, Meryl

Clockwise from top left: Helen S, Shirley, Jan M, Meryl

can I make you a quilt?

I started my longarm quilting business back in about 2012-2013. I was a novice and taught myself to use the machine- a Gammill Classic Plus. Quilt by quilt I slowly progressed, and I’m thankful to those who trusted their quilts to me to do my best. My longarm machine is not computerised; it has a stitch regulator but all quilting is hand-guided with free-motion quilting or sometimes following a stencil or pantograph.

Karen- My Small World quilt (Jen Kingwell pattern).

Karen- My Small World quilt (Jen Kingwell pattern).


I’m now looking to expand and extend my quilting endeavours by making quilts for sale or on commission. I have been making my own quilts for many years, and that’s my real love. I could sit and sew patchwork quilts all day! I know there are many people who love and appreciate quilts but perhaps don’t wish to make their own. If you know anyone who wants to buy a ready-made quilt or wants a quilt made with their own choice of pattern and fabric, I would love it if you suggest my name to them!
Mini quilt made for a swap in 2015

Mini quilt made for a swap in 2015


I have a number of quilts already that I plan to put up for sale, and that will happen over the next few weeks.
I also do a lot of art quilting for something a little different.
Small art quilt to my own design

Small art quilt to my own design


This is just my first step in this direction, and I’m yet to work out the specifics of prices and accepting payments etc. (maybe an Etsy store? or an online shop?) I’m not sure whether there is a big enough market out there for me to join it, or indeed whether people are willing to pay an appropriate price for a genuine, hand-made quality quilt. What do you think?

In the meantime, here are a few pictures of a recent quilt that I quilted for a customer:
t-quilt2
It was quilted in a hand-guided custom design using an off-white thread.
t-quilt1
t-quilt3

Hope you are having a good week!

Tula in Toowoomba

Lots of colour to show you this week! The following quilt is one that I did not make, but I did do the quilting.
Meryl1
Meryl made this and asked me to quilt it. It’s a bargello-style quilt that makes the most out of the multi-coloured batik fabric.
meryl2
I quilted it in an overall design with long horizontal looped lines which highlighted the colour changes in the fabric, in a dark gold thread.
meryl4
It’s a beautiful and brightly coloured quilt.
meryl3
Last week, fabric and quilt designer Tula Pink visited Toowoomba to give a talk on how she came to do what she does so very well, and to show some of her quilts.

Tula Pink

Tula Pink


Tula is a very entertaining speaker, naturally funny and quick-witted. She spoke at the Precious Time quilt shop in Toowoomba and everyone there had a great time, both listening to her and getting a peek at some fabulous quilts. Tula said that all the quilting on her quilts is done by Angela Walters, so I was very interested to have a close-up look at the quilting- just fantastic work.
tula5
We also got a sneak peek at her newest fabric line, Slow and Steady, which is about to b ereleased. All her fabric lines feature animals, and this new one will be a play on the tortoise and the hare fable.
tula2
She made this quilt out of that new fabric:
tula3
tula7
A lot of the people there brought along the quilts they have made with her fabric, and some even got Tula to sign their quilt. This first one below is some hexie quilt!
tula4
tula8
It was a great day to get some injection of inspiration to get sewing!

my small world quilt

I started this art quilt last year. My Small World Quilt is made from a pattern by Jane Kingwell, and was featured in the Quiltmania magazine.

Karen Mundt- My Small World

Karen Mundt- My Small World


It combines my loves of lots of different fabrics- the ‘scrappy look’- with the theme of buildings and houses. Of course, how you choose what fabrics to use is entirely an individual choice. At the time there was an online Quilt-Along and accompanying Instagram groups, so it was fun to check them out to see how others interpreted it.
msw7
I used only fabrics that I already had, and it was a chance to use some different little bits and pieces. Like this little doggy…
msw4
and this little girl at the window…
msw5
I used light low-volume fabrics for the sky area, some with text, some with spots or self-patterns. I started with some pale blues and pinks close to the skyline, fading them to lighter colours as it went higher.
msw6
msw8
I also made one little change. In place of the little Pisa tower block, I instead added in a little hand-embroidered block of the Statue of Liberty. That was to reflect my trip to the States, taken during the time I was making it.
It also took me a long time to decide on how to quilt it. I actually put the needle in at an arbitrary place, grabbed the ruler and decided to quilt first one line, then another, turned that into a diamond. Echoed that, did another diamond further across, repeat. That was for the top half- the sky. When I got to the lower half, I just quilted all over in an irregular grid about 2 inches apart.
msw2
I backed it with a white and brown stripe, which I also used for the binding.
msw3
I really enjoyed making this quilt. With all the different blocks and fabric choices to make, you don’t get bored with it and its fun to see what the next section will look like! I enjoyed it so much, I may even make another version some day!
Karen Mundt- My Small World

Karen Mundt- My Small World

longarm quilting

The instructions for the March block in the do. Good Stitches quilting bee ( I showed the February block here) were to make two quarter log cabin blocks, using blues and greys. So I have finished these and they are on to the quilt ‘assembler’ today.

March blocks

March blocks


I also recently finished quilting this quilt for Jan Knight:
Jan Knight

Jan Knight


I didn’t have a handy tall person around at the time to hold it up, so apologies for the ‘bend’ in the middle!
Jan wanted to do some hand quilting around and between the applique so I had to leave some space for that. It has a mixture of free-hand designs …
JanK4
zig-zagging in the inner border and straight lines on the house blocks…
JanK5
JanK3
Don’t those plaids and checks all play well together?
JanK1
It is a lovely quilt, thank you Jan for letting me quilt it for you.
Have a good quilting week!

Longarm quilting

Just a few photos of a recent quilt I finished on my longarm machine for Lyn.
2016-03-08 21.24.03
This was a quilt embellished with crocheted doileys, lace and bits and pieces that all have sentimental memories.
2016-03-08 21.23.25
I didnt take many photos to show, but you get the idea. I have done a few of these quilts now, and always the tricky part is deciding how to quilt it. There’s not a lot of open area so the quilting has to go in and around the embellishments. But, the areas that are covered by the doileys and lace are too big to leave unquilted so they still have to be quilted as well.
2016-03-08 21.22.43
I did some ruler-work in this one for something different- a curving ‘border’ of 1/4″ lines around the edge and a large diamond of ‘background’ lines in the centre.
2016-02-19 16.32.10
Onto the next quilt!