Working with white can be a little tricky. It is very stark and bright-especially when combined with orange! Those were the two colours for this month’s art quilt group challenge. Once again, a 6″square using only two colours, and something to do with flora or fauna.
I took quite awhile to decide on what to do with this one, as I usually do. More time is spent in the thinking and designing than there is on the actual creating. An orange when dissected, that is orange fruit, is actually just orange and white and no other colour. So I thought to depict a cut orange off-centred and partly off the square would fill the brief.
I first drew out the orange and the components I would need to get them well-proportioned and placed how I wanted them. I then used that as my ‘pattern’ and traced out the segments onto vliesofix.
I then ironed those parts onto some of my own hand-dyed orange fabric and then cut out and placed the pieces of orange fabric on a square of white felt as the background.
I free-motion stitched around the orange pieces, and did some stippling in white thread on the background to give some contrast in the texture.
Here are the interpretations from other quilters in the group:
Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn
I’ve just had a great weekend, especially with taking my lovely daughter to a pasta-making class in Brisbane. I had given the tickets to her for her birthday which was back in July, but this week was the first class vacancy they had. We had such a great time- it was held at Angelo’s Fresh Pasta, and they truly treated us very well.
I’m learning to roll the pasta
We learnt how to first make the pasta dough and then roll it out on those nifty rolling machines- who knew there was an electric version?!- but also cut and roll into shapes or cut into ribbons for fettucine.
I so need to get one of these!
After the class we were treated to a 3-course lunch which was fantastic- fresh pasta is so much better than the packet dried version!
My daughter mastering the roller
In last week’s post I showed my small quilt that I made for the ‘Orange & Purple’ challenge. I also have some photos of some of the other group members’ 6in quilt to show you here.
This is a group photo, followed by a few close-ups.:
Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish
Plus, here are some other works by the group members:
This month’s two-colour challenge for the Art Quilt group I belong to, was purple and orange. We could do anything within the general theme of flora and fauna, using only the two colours of orange and purple. This is my final result.
Orange & purple challenge: 6 * 6 inches
I want to use these challenges to try out different techniques and different media, as I figure it’s an excellent opportunity to play and experiment. So therefore my approach in creating this month’s task was not to think about what could I depict using only those two colours, but instead to consider what method or materials I wanted to try out this month. I started off by deciding to use paper as the base. Using paper, I wanted something with up-and-down texture on the surface by manipulating the paper.
Who knows what mysterious paths the brain takes as it mulls things over, considers all the options and factors, discards this idea and that before settling on something. For some reason, the image of strata popped in my head, as well as a fossil. That would do- a fossil fits in the flora and fauna scheme?!
I then remembered I had some ‘Modelling Compound’ that I’d once bought but not yet used: using that could achieve the rough texture to resemble layers of strata. So I started.
I used some hand-made paper and painted it with some purple ink. I stirred up the modelling compound, which has the texture of really thick white goop, and to that mixed in some orange acrylic paint.
I traced a shape of a fossil onto some freezer paper and stuck it in the centre where I wanted the fossil to appear. This was just to act as a mask and stop the paste flowing over it, as well as allowing that circle to be indented with the strata edges rising around it, like a fossil would have.
I then spread the orange paste over it all , putting lines and heavier bits in some sections, and digging some back out to reveal little glimpses of the purple. I then left it to dry.
Taking off the freezer paper mask in the middle, I had smeared just a little colour over that centre circle. It set with a rubbery texture so I was able to then do free-motion stitching all over it to (attempt to) resemble strata lines. I also stitched the fossil shape. The needle went through the orange ridges and stitched easily enough, although I did have to experiment with the thread to find one which could resist being ‘cut’ or breaking on the fine edges of the strata.
I think it sort of looked how I envisaged! although the paper I originally wanted to utilise ended up being an under-layer and not a feature. The orange appears a little too intense, so it could have been toned down a little. In fact, I would even say it is a little ugly, but it was fun experimenting!
Weekends are what we all look forward to. Ah, the promise of it- all that time to do ‘other stuff’ – besides work! Last week we had a weekend in Brisbane. We had a night out, and of course I took some photos.
Brisbane- August 2016
There’s something about city skylines and cityscapes that I love, and often a theme in my art quilts.
This was Brisbane at night…
Brisbane – August 2016
just as impressive as New York at night- don’t you think?…
Karen Mundt NYC- from the Empire State Building; October 2015
We even had a steam train ride in and around the city. It got me thinking. We live about an hour from Brisbane and even though I visit Brisbane fairly regularly I don’t know it overly well as I mainly just go into the city. There is a lot about it that I haven’t seen so there is always lots to look at and investigate if you put your mind to it.
And I have a couple of photos from the recent Gatton Quilters meeting day. Kaye finished this quilt top that she was working on at our Coolum retreat, using the Grandmother’s Fan block:
This was Cornelia’s blue and green block from last month’s challenge- note the ‘banana hair’ in the centre that she made and dyed that beautiful blue:
and another one from Cornelia- she was catching up!:
I’d like you to meet my giraffe that I’ve named Gorgeous Georgie- cute, isn’t he!
Gorgeous Georgie- Karen Mundt
He is a little art quilt I made in response to a challenge within my local art quilt group. We were all given a piece of fabric that had to be used in whichever way we wanted to make a quilted piece with irregular edges. This is the fabric we were given- a batik in browns and yellows and green:
To begin with, I couldn’t think what to do with it so I pinned it on the wall for a couple of weeks just looking at it and waiting for inspiration. One day, when I walked into my sewing room, it occurred to me that the fabric looked very much like it could be an animal, and as my favourite animal is a giraffe, I thought – that’s it! I decided I would create it by using a fabric collage method. First I had to find a picture of a giraffe that I could use just for the outline and shapes. That took some time, because I wanted one with the head looking directly at me- I didn’t want the whole animal. I found this one on Shutterstock (royalty-free) images:
I photocopied the picture to the size I wanted, then used a plain piece of white cotton to trace the giraffe head and neck- just the main lines and features. My plan was to create the collaged piece first, then cut it out and applique to a final background. I could place it so that the horns on the top of his head protruded from the background, as well as leaves from a tree over to one side, and this would satisfy the criteria for irregular edges.
The fabric had within it different areas of predominant colour, so I cut it apart and divided it up so I had a mainly dark group, mainly lights and a green group. I could add in a tree with leaves that would use the green pieces.
I then added to these fabrics other assorted scraps in the right colour-tones and cut them up into smaller pieces. I started placing all the pieces, taking careful note of where the darker sections were on the picture I used as my guide. It was important to carefully look at every scrap I picked up for its value; darker pieces can be used to indicate curves in his face, along his nose and jaw etc. I have followed the techniques that Susan Carlson teaches on her blog and in books.
Each piece had a dab of glue on the back so it would stay when placed, the edges were left free so other pieces could be placed under and around where needed. Many pieces were added and taken away and moved here and there.The eyes were assembled as little parts on their own before placing down, and building around them.
As shown in the photos, I started at the top of the head and moved down. The long neck had darker pieces placed first with the large ‘spots’ in a lighter value added on top.
Once I was finished with placing all the pieces I added a little more glue to the edges of the pieces to make them secure. I then free-motion quilted all over as well as adding a backing to the horns that would be sticking up past the edge in the final piece. For his little mane, I used the selvedge edge of a piece of black fabric which had been treated with bleach discharge so it had a mix of dark brown and black along its edge. I made the background out of some blue hand-dyed fabric with a brown homespun. The tree was made in a collage fashion with some of the leaves made as separate pieces as they would be attached to the tree but not completely sewn down. They also had to be double-sided as they were sticking out past the edge.
I did more machine-quilting over all of it to secure the various parts down and create the background of the landscape and a little perspective. I probably haven’t got it all completely accurate, but I’m using artistic license here! I added the backing in the pillow-case method after most of the quilting had been done, and then just added the final stitching to secure the layers and finish it off.
I like him- I think he looks cute!
So, what do you think? What would you have made with the piece of batik fabric?
Here are some pictures of the pieces made by the other members in my group:
L- Shirley R-Allison
I really like this one by Trish- very clever I thought:
This block is for the Cherish do.Good.Stitches group quilt that I am contributing to this year. It is an Octagon block, very easy to make using paper foundation, piecing a large triangle unit then joining them together into squares.
I can see that once you have a whole lot of these blocks and assemble them together they would make an excellent colourful ‘scrappy’ quilt. The corner triangles would form a secondary octagon as well.
Speaking of colour, the Gatton Quilters Art group has started a small monthly challenge. We have to produce a 6″ block using whatever methods we like, but only two colours. The colours for our first month were blue and green.
Karen Mundt- blue and green
I had a beautiful piece of blue and green batik fabric that I thought would fit the bill, so decided I would just hand-stitch all over the batik, improvising as I went along.
I echoed some lines that were suggested by the shapes in the colour swirls and played with a few stitch variations. I also used a variety of thread weights to contrast the texture. I then just finished the block with a small facing finish.
Do you remember that old saying about blue and green should never be seen together? Rubbish- I think they look fantastic together!
These are the blocks produced by others in the group. The best part of such challenges is seeing the endless variations that can be produced by people expanding their imagination and having a play.
L-R Row 1: Shirley, Marilyn, Helen H; Row 2: mine, Lyn, Trish; Row 3: Helen S, Jan K, Meryl
Helen H and Trish
Lyn and Jan K
Looking forward to seeing what next month’s blocks using green and purple will look like!