playing

I’ve just had a great weekend, especially with taking my lovely daughter to a pasta-making class in Brisbane. I had given the tickets to her for her birthday which was back in July, but this week was the first class vacancy they had. We had such a great time- it was held at Angelo’s Fresh Pasta, and they truly treated us very well.

I'm learning to roll the pasta

I’m learning to roll the pasta


We learnt how to first make the pasta dough and then roll it out on those nifty rolling machines- who knew there was an electric version?!- but also cut and roll into shapes or cut into ribbons for fettucine.
I so need to get one of these!

I so need to get one of these!


After the class we were treated to a 3-course lunch which was fantastic- fresh pasta is so much better than the packet dried version!
pasta3
My daughter mastering the roller

My daughter mastering the roller


pasta4
pasta1
In last week’s post I showed my small quilt that I made for the ‘Orange & Purple’ challenge. I also have some photos of some of the other group members’ 6in quilt to show you here.
This is a group photo, followed by a few close-ups.:
Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish

Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish


Marg

Marg


Shirley

Shirley


Trish

Trish


Plus, here are some other works by the group members:
Jan K

Jan K


helenh Helen H

Enjoy your quilting week!

quilted strata

This month’s two-colour challenge for the Art Quilt group I belong to, was purple and orange. We could do anything within the general theme of flora and fauna, using only the two colours of orange and purple. This is my final result.

Orange & purple challenge: 6 * 6 inches

Orange & purple challenge: 6 * 6 inches


I want to use these challenges to try out different techniques and different media, as I figure it’s an excellent opportunity to play and experiment. So therefore my approach in creating this month’s task was not to think about what could I depict using only those two colours, but instead to consider what method or materials I wanted to try out this month. I started off by deciding to use paper as the base. Using paper, I wanted something with up-and-down texture on the surface by manipulating the paper.
Who knows what mysterious paths the brain takes as it mulls things over, considers all the options and factors, discards this idea and that before settling on something. For some reason, the image of strata popped in my head, as well as a fossil. That would do- a fossil fits in the flora and fauna scheme?!
I then remembered I had some ‘Modelling Compound’ that I’d once bought but not yet used: using that could achieve the rough texture to resemble layers of strata. So I started.
op2
I used some hand-made paper and painted it with some purple ink. I stirred up the modelling compound, which has the texture of really thick white goop, and to that mixed in some orange acrylic paint.
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I traced a shape of a fossil onto some freezer paper and stuck it in the centre where I wanted the fossil to appear. This was just to act as a mask and stop the paste flowing over it, as well as allowing that circle to be indented with the strata edges rising around it, like a fossil would have.
op3
I then spread the orange paste over it all , putting lines and heavier bits in some sections, and digging some back out to reveal little glimpses of the purple. I then left it to dry.
orangepurple2
Taking off the freezer paper mask in the middle, I had smeared just a little colour over that centre circle. It set with a rubbery texture so I was able to then do free-motion stitching all over it to (attempt to) resemble strata lines. I also stitched the fossil shape. The needle went through the orange ridges and stitched easily enough, although I did have to experiment with the thread to find one which could resist being ‘cut’ or breaking on the fine edges of the strata.
op-close
I think it sort of looked how I envisaged! although the paper I originally wanted to utilise ended up being an under-layer and not a feature. The orange appears a little too intense, so it could have been toned down a little. In fact, I would even say it is a little ugly, but it was fun experimenting!
orangepurple1

the weekend

Weekends are what we all look forward to. Ah, the promise of it- all that time to do ‘other stuff’ – besides work! Last week we had a weekend in Brisbane. We had a night out, and of course I took some photos.

Brisbane- August 2016

Brisbane- August 2016


There’s something about city skylines and cityscapes that I love, and often a theme in my art quilts.
This was Brisbane at night…
Brisbane - August 2016

Brisbane – August 2016


just as impressive as New York at night- don’t you think?…
Karen Mundt  NYC- from the Empire State Building; October 2015

Karen Mundt NYC- from the Empire State Building; October 2015


We even had a steam train ride in and around the city. It got me thinking. We live about an hour from Brisbane and even though I visit Brisbane fairly regularly I don’t know it overly well as I mainly just go into the city. There is a lot about it that I haven’t seen so there is always lots to look at and investigate if you put your mind to it.
And I have a couple of photos from the recent Gatton Quilters meeting day. Kaye finished this quilt top that she was working on at our Coolum retreat, using the Grandmother’s Fan block:
Kaye

Kaye


This was Cornelia’s blue and green block from last month’s challenge- note the ‘banana hair’ in the centre that she made and dyed that beautiful blue:
Cornelia

Cornelia


Cornelia

Cornelia


and another one from Cornelia- she was catching up!:
Cornelia- Batik fabric challenge

Cornelia- Batik fabric challenge


Makes you want to just get in there and create!

green and purple galore

I’ve had some fun thinking up a small quilt- 6″ square- for my quilter’s group monthly colour challenge. This month it was all about green and purple. We could create anything using any techniques and materials to the loose theme of flora and fauna, but we could only use the two colours of green and purple. This is my little thistle flower.

Karen -thistle flower

Karen -thistle flower


I did it as an exercise in thread painting. I started out with a photo of a thistle that I printed onto some inkjet printable fabric. I also had to choose some threads to use so pulled out all the green and purple threads I had!
thistle3
I certainly didn’t use all of these, but I did need to have a variety of darks, mediums and lights to choose from. It was then a matter of just starting somewhere, so I started in the middle, primarily with some colour that I knew would be behind, or underneath, other more prominent colours on top. This next photo was just after I started, with dark olive green in the middle and lighter highlights:
thistle1
That bright green was used in the middle and was later covered up to leave just little specks of it showing through. A close-up:
thistle2
It took lots of free-motion stitching back and forth to get the coverage. I just wanted the main flower to be stitched and to leave the printed photo as the rest of the background.
Karen

Karen


Here is a photo of the ‘sinchies’ made by the rest of our talented group:
L-R Bottom row: Jan M, Cornelia, Lyn, Jan K; middle row: Meryl, Helen S, mine, Helen H; Top row: Shirley, Trish, Marilyn

L-R Bottom row: Jan M, Cornelia, Lyn, Jan K; middle row: Meryl, Helen S, mine, Helen H; Top row: Shirley, Trish, Marilyn

The best part of these challenges is seeing what everyone else comes up with! Happy quilting!

gorgeous georgie

I’d like you to meet my giraffe that I’ve named Gorgeous Georgie- cute, isn’t he!

Gorgeous Georgie- Karen Mundt

Gorgeous Georgie- Karen Mundt


He is a little art quilt I made in response to a challenge within my local art quilt group. We were all given a piece of fabric that had to be used in whichever way we wanted to make a quilted piece with irregular edges. This is the fabric we were given- a batik in browns and yellows and green:
Georgie9
To begin with, I couldn’t think what to do with it so I pinned it on the wall for a couple of weeks just looking at it and waiting for inspiration. One day, when I walked into my sewing room, it occurred to me that the fabric looked very much like it could be an animal, and as my favourite animal is a giraffe, I thought – that’s it! I decided I would create it by using a fabric collage method. First I had to find a picture of a giraffe that I could use just for the outline and shapes. That took some time, because I wanted one with the head looking directly at me- I didn’t want the whole animal. I found this one on Shutterstock (royalty-free) images:
Georgie6
I photocopied the picture to the size I wanted, then used a plain piece of white cotton to trace the giraffe head and neck- just the main lines and features. My plan was to create the collaged piece first, then cut it out and applique to a final background. I could place it so that the horns on the top of his head protruded from the background, as well as leaves from a tree over to one side, and this would satisfy the criteria for irregular edges.
Georgie7
The fabric had within it different areas of predominant colour, so I cut it apart and divided it up so I had a mainly dark group, mainly lights and a green group. I could add in a tree with leaves that would use the green pieces.
Georgie8
I then added to these fabrics other assorted scraps in the right colour-tones and cut them up into smaller pieces. I started placing all the pieces, taking careful note of where the darker sections were on the picture I used as my guide. It was important to carefully look at every scrap I picked up for its value; darker pieces can be used to indicate curves in his face, along his nose and jaw etc. I have followed the techniques that Susan Carlson teaches on her blog and in books.
giraffe1
Each piece had a dab of glue on the back so it would stay when placed, the edges were left free so other pieces could be placed under and around where needed. Many pieces were added and taken away and moved here and there.The eyes were assembled as little parts on their own before placing down, and building around them.
giraffe2
As shown in the photos, I started at the top of the head and moved down. The long neck had darker pieces placed first with the large ‘spots’ in a lighter value added on top.
giraffe3
Once I was finished with placing all the pieces I added a little more glue to the edges of the pieces to make them secure. I then free-motion quilted all over as well as adding a backing to the horns that would be sticking up past the edge in the final piece. For his little mane, I used the selvedge edge of a piece of black fabric which had been treated with bleach discharge so it had a mix of dark brown and black along its edge. I made the background out of some blue hand-dyed fabric with a brown homespun. The tree was made in a collage fashion with some of the leaves made as separate pieces as they would be attached to the tree but not completely sewn down. They also had to be double-sided as they were sticking out past the edge.
Georgie2
I did more machine-quilting over all of it to secure the various parts down and create the background of the landscape and a little perspective. I probably haven’t got it all completely accurate, but I’m using artistic license here! I added the backing in the pillow-case method after most of the quilting had been done, and then just added the final stitching to secure the layers and finish it off.
Georgie1
Georgie3
I like him- I think he looks cute!
Georgie5
So, what do you think? What would you have made with the piece of batik fabric?
Here are some pictures of the pieces made by the other members in my group:
Marilyn

Marilyn


Lyn

Lyn


Meryl

Meryl


Helen H

Helen H


Jan K

Jan K


L- Shirley R-Allison

L- Shirley R-Allison


I really like this one by Trish- very clever I thought:
Trish K

Trish K


Trish

Trish


Hope you’ve enjoyed these- have a good week!

blue and green should be seen

This block is for the Cherish do.Good.Stitches group quilt that I am contributing to this year. It is an Octagon block, very easy to make using paper foundation, piecing a large triangle unit then joining them together into squares.
Octagon-Cherish
I can see that once you have a whole lot of these blocks and assemble them together they would make an excellent colourful ‘scrappy’ quilt. The corner triangles would form a secondary octagon as well.
Speaking of colour, the Gatton Quilters Art group has started a small monthly challenge. We have to produce a 6″ block using whatever methods we like, but only two colours. The colours for our first month were blue and green.

Karen Mundt- blue and green

Karen Mundt- blue and green


I had a beautiful piece of blue and green batik fabric that I thought would fit the bill, so decided I would just hand-stitch all over the batik, improvising as I went along.
G&B3
I echoed some lines that were suggested by the shapes in the colour swirls and played with a few stitch variations. I also used a variety of thread weights to contrast the texture. I then just finished the block with a small facing finish.
G&B2
Do you remember that old saying about blue and green should never be seen together? Rubbish- I think they look fantastic together!
These are the blocks produced by others in the group. The best part of such challenges is seeing the endless variations that can be produced by people expanding their imagination and having a play.
AllG&B2
L-R Row 1: Shirley, Marilyn, Helen H; Row 2: mine, Lyn, Trish; Row 3: Helen S, Jan K, Meryl
AllG&B3 Helen H and Trish
AllG&B4 Lyn and Jan K

Looking forward to seeing what next month’s blocks using green and purple will look like!

a workshop

I went to a quilting workshop recently. We all had to take our sewing machines, our irons and ironing boards, a cutting board…
K1
a random pick of fabrics, including old blocks left from previous projects and sewing tools, but no rulers.
wshop1
k3
The day was spent playing with fabric, making free-form cuts in fabric and adding them to any other bits of fabric that your hand might fall on.
I decided to use a lighter colour scheme than I usually work with- some creams, whites, browns and muted colours. These blocks I’m showing here haven’t been trimmed yet.
K4
k5
I also took some old blocks left from a previous project and split them up, then added some slivers of hand-dyed colour.
K6
K2
Our tutor, Peggy Phelps, started us off with some ideas of blocks to start with using lots of techniques such as strip-piecing, wonky flying geese, chequerboard units and uneven log cabin blocks.
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A few workshop participants took a little time to get used to ‘not being neat’ but soon got into the swing of it!
wshop5
And Peggy showed us some of her quilts where she has used lots of lovely bright colour!

Peggy Phelps

Peggy Phelps


Peggy Phelps

Peggy Phelps


Cornelia's blocks

Cornelia’s blocks


Alison

Alison


Meryl

Meryl


Marilyn

Marilyn


I find that any workshop you can do is worth spending the time to do it- there’s always something you pick up along the way- whether it be a new technique or even some inspiration to try something different of your own.

my small world quilt

I started this art quilt last year. My Small World Quilt is made from a pattern by Jane Kingwell, and was featured in the Quiltmania magazine.

Karen Mundt- My Small World

Karen Mundt- My Small World


It combines my loves of lots of different fabrics- the ‘scrappy look’- with the theme of buildings and houses. Of course, how you choose what fabrics to use is entirely an individual choice. At the time there was an online Quilt-Along and accompanying Instagram groups, so it was fun to check them out to see how others interpreted it.
msw7
I used only fabrics that I already had, and it was a chance to use some different little bits and pieces. Like this little doggy…
msw4
and this little girl at the window…
msw5
I used light low-volume fabrics for the sky area, some with text, some with spots or self-patterns. I started with some pale blues and pinks close to the skyline, fading them to lighter colours as it went higher.
msw6
msw8
I also made one little change. In place of the little Pisa tower block, I instead added in a little hand-embroidered block of the Statue of Liberty. That was to reflect my trip to the States, taken during the time I was making it.
It also took me a long time to decide on how to quilt it. I actually put the needle in at an arbitrary place, grabbed the ruler and decided to quilt first one line, then another, turned that into a diamond. Echoed that, did another diamond further across, repeat. That was for the top half- the sky. When I got to the lower half, I just quilted all over in an irregular grid about 2 inches apart.
msw2
I backed it with a white and brown stripe, which I also used for the binding.
msw3
I really enjoyed making this quilt. With all the different blocks and fabric choices to make, you don’t get bored with it and its fun to see what the next section will look like! I enjoyed it so much, I may even make another version some day!
Karen Mundt- My Small World

Karen Mundt- My Small World

creating with bias strips

This mini quilt top was created by using bias strips- brightly coloured strips on texty backgrounds.

Karen Mundt- Symbols

Karen Mundt- Symbols


I used one of those little bias maker tools, where you feed in the strips of fabric cut on the bias and it turns over the edges so you can iron them down as it comes out the other end. Do you have one of those sitting in your drawer, not used for a long time, like me?!

I joined the Mighty Lucky club which is going to highlight some new methods and techniques each month. I thought it would be good to get me thinking about new things and to just have a play. The first month was about using bias strips to create a modern quilt.
bias3
For some reason these symbols popped into my head so I decided to try and make a few of them. I used a 3/4″ strip because I thought I would need it to be a bit on the thinner side to get it to curve how I needed.
bias4
However in retrospect I think wider strips might have looked a bit better- the symbols look a bit ‘spindly’ to my eyes- what do you think? I’m not over-pleased with it, but it’s okay!

It was fairly easy to do- I arranged the strips into the shapes and then used some glue to hold them in place while I sewed them down by machine. Using the Edgestitch foot (#10C on my Bernina) made that easy.
bias1
The instructions that were given included the use of iron-on adhesive which I didn’t have any of, so the Roxanne glue did a good job instead. I used a monofilament thread but of course you can use any coloured threads to make the stitching a feature.
Not sure what I will do with this now though- it may even end up being slashed and re-assembled for another modern quilt along the way!

oh, Christmas tree….

I love Christmas, I love Christmas trees and I love families coming together at Christmas. There’s a real festive spirit when all the shops have Christmas trees and decorations. So, when I was away recently, the last leg of our trip was a stop in Hawaii and we did a spot of shopping- well, more looking than actual shopping! But, I couldn’t resist taking some photos of the Christmas trees that were all through Macy’s department store.
tree-haw4
They didn’t just have trees trimmed with the same colour scheme on all the store levels as normally happens here, but each tree I saw in this one store was different!
tree-haw1-crop
They were all decorated so beautifully.
treehaw2
So cute and sparkly and colourful!
tree-haw3
tree-haw5
You can’t have Christmas without a Christmas party or year-end break-up, and Gatton Quilters was no exception. In addition to the gathering together we also bring along any ‘Show and Tell’ that may have been finished since last we met.
party1
party2

Meryl- White Challenge square

Meryl- White Challenge square


Lyn- Orange Challenge square

Lyn- Orange Challenge square


Jan M- Black colour challenge square

Jan M- Black colour challenge square


Marilyn- Red colour challenge block

Marilyn- Red colour challenge block


Meryl- workshop with Robyn Christoffel

Meryl- workshop with Robyn Christoffel


More of Meryl's work, originating from the Robyn Christoffel workshop

More of Meryl’s work, originating from the Robyn Christoffel workshop


We have lots of talented and creative people in our Quilting Group!
Happy Christmas to everyone :)
Myer- Toowoomba

Myer- Toowoomba