green and white

I first ‘created’ this fabric in a workshop on printing, painting, enhancing and embellishing fabric. We used leaves and sticks and various surfaces for mono-prints and transferring images and rubbings. This fabric had various green paints and leaf shapes, so I decided to use it for this month’s green and white Sinchie challenge with Gatton Quilters.
I added further rubbing using a crayon to transfer extra leaf outlines and fill in some spaces.
After cutting out a smaller-sized piece, I started hand-stitching large running stitches across its surface. I used 3 strands of DMC cotton, starting with 3 dark green colour on one side and gradually introducing varying shades of green, changing to a light green by the time I got to the other side.
I also cut out some little pieces of lace from a discarded remnant and incorporated them on the surface with the stitching.
I then added some iron-on pellon to the back, cut out a piece of another fabric and sewed them, right-sides together to make a little quilt.
We often produce lots of pieces of fabric in workshops and classes which can sit in our cupboards for ages before being put to good use. I’m working on trying to incorporate my various bits and pieces in art quilt projects- after all, we can always make more! This is a look at some of the other pieces created by members in our group:

Top row: Marilyn, Marg, Helen H, me Bottom row: Meryl, Lyn, Jan K, Shirley

Top row: Marilyn, Marg, Helen H, me
Bottom row: Meryl, Lyn, Jan K, Shirley

A quilted runner made by Marilyn:


… and a quilt I recently quilted on the long-arm for a special niece’s birthday!
Until next week…

shades of purple

The challenge for the art quilt group I belong to was to make a 6inch quiltlet using only two colours- for January it was purple and yellow, and for February it was purple and white.This is the first one:

Karen --purple lotus

Karen –purple lotus

These small pieces are an excellent way of playing and experimenting- not just with a design restricted to two colours, but also techniques and materials. I’ve tried to vary all of these in each month’s piece that I’ve made. I had use of a needle felting machine over the Christmas period so thought I would have a play with it. I used scraps of jewel-coloured sari silk and wool roving which I tore up into bits and laid over a piece of soft wool felt as the background. It probably doesn’t look overly recognisable, but the look I was going for was a lotus flower (!).
Varieties of purple pieces were felted down over an outline of petals, with yellow silk for the middle. I did try to do some shading, making some petal edges a different shade, but then added on afterwards some small pieces of torn cotton fabric to the edges for further emphasis. I did lots of free-motion stitching over the flower itself, and some scribble-stitching around the whole flower.
To finish it off, I sewed it down onto a piece of hand-dyed purple cotton, sewing roughly around the edges numerous times, not wanting it to look too neat! I then trimmed that down (we are making them all at 6″ square),added a back on to it and turned it through, pillow-case style.
For the next one, using only purple and white, I decided to do a foundation-pieced butterfly.
Karen-purple flutterby

Karen-purple flutterby

I found a pattern somewhere in one of my books and made it using a variety of purples and whites, and some of my own painted fabric for the background pieces. I then added a striped border with mitred corners-
At the monthly meeting we all got to see everyone else’s interpretation of the flora and fauna theme with those colours:
Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn

Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn

Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl

Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl

how to make a Christmas gift

A recipe for a handmade book-mark:

Christmas Book-mark:   Karen Mundt

Christmas Book-mark: Karen Mundt

1. Take a piece of hand-painted and stencilled cloth and some sari ribbon of contrasting colours:
2. Lay out the sari ribbon silk strips and sew them down onto the painted cloth- I used a large zig-zag stitch in black thread.
Then cut across that piece into short strips of varying widths – no ruler needed! Rearrange those short strips- I rearranged so that there would be red pieces of the ribbon popping up in random locations, and then sew them back together.
3. The piece of re-constructed cloth I had at this stage was about 6″ wide. I then cross-cut that (you know I like to cut things up!) into the pieces that would become the book-mark- 6″ long and about 2.5″ wide. You can make them any size you want by sewing extra strips together or cutting wider or narrower….
4. I tore up a page from an old book and together with a scrap of fabric attached them onto the top. I used little pieces of text fabric- any words or sayings to do with books or quilts, used black thread and left the thread ends showing on top.
5. I then ironed onto the back of each of them some thin pellon- but in retrospect it would have been easier to iron that on to the back of the larger piece before cutting them up in Step 3 above :)
6. I used a piece of my hand-dyed cloth (dyed in a workshop quite a few years ago) as the backing- layered that and the top piece, wrong sides together, and sewed around the raw edges. I inserted a piece of ribbon or string as the loop for each one- leaving the cut edges out. Use whatever you have at hand, and they don’t all have to be the same. Sew around the edges at least twice free-style so the stitching looks uneven and ‘rustic’.
Great to use for Christmas gifts!


A couple of weeks back, I mentioned about the workshop we had here at Gatton, run by Ali George. I realised that I didn’t show many of the pieces I made on the day, so thought I would do so now.
All of the pieces needed the paints or oil stick or wax set in some way, so I have finally got around to doing that now. We produced quite a variety of different fabrics, and the challenge now is to use them in some way in our art quilts. That can be easier said than done- I find myself staring at all of them trying to come up with ideas on how best to make the most of them. That first picture above shows some leaves that were rolled with paint onto the fabric in a random arrangement, as with the one below:
This piece started out as black fabric, which I then treated with some soy wax resist and bits of string, as well as gel bleach, to produce the design: I’m sure I can see a definite face.
This one used fabric paint with a wood block stamp- I like it because it gives the appearance of an aerial view of city streets:
I think I will probably cut that one up to use in smaller blocks within an art quilt.
This couple were done with oil crayons and rubbing over surfaces- whatever surface could be found at the time:
I used some stencils made with an old card and some gold paint to make the bauble-shapes on top of the blue and purple – it was actually a ‘clean-up’ cloth but now looks special- it might come in handy for some Christmas sewing:
This next one was also a clean-up cloth until Ali grabbed it to use as a demonstration of the effect you will get when you tie string around a brayer and run it through some paint: those lovely green skinny lines made the cloth resemble scattered poppies. This has turned out to be my favourite piece of the day. I can see it being embellished with lots of hand-stitching:
This last one has an industrial look to it- produced with paint over a grid of masking tape and bubble-wrap:
Any suggestions on how to utilise them?!

art play

We had a workshop last weekend for a dozen or so of us in the Gatton Quilters who are interested in trying out new methods and techniques for perpetuating our memories with art quilts. The very talented and lovely Ali George travelled to us to guide us along the way for the two-day workshop.
We learnt so many different techniques and tried out a lot of products, samples of which Ali had brought along for us to try and experiment with.
We firstly used leaves and twigs; covering them with paint and taking a print. This expanded to stencils and masks and stamps, using acrylic paints and wax crayon. Ali showed us how easy it was to make our own stencils out of a piece of card and carve a stamp from an eraser. We tried wax crayons, or paintsticks, to make rubbings from random surfaces, and dipped fabric in rusting and tannin solutions to dye our fabrics.
On this little piece in the next photo, I used a small stencil I cut from card in what I thought was a teardrop shape. But after using some gold and blue paintsticks to rub around the edges, I realised that it actually looks like Christmas baubles! It’s given me some ideas- it might make great handmade Christmas cards!
We also used bleach with random objects to ‘take away’ the colour from black fabric in our own designs, as well as using soy wax as a resist and then spraying with bleach to extend the effects.
Ali had some great wood blocks and stencils for us to play with.
Workshops like these are fantastic in giving you time to play and experiment. I’m sure we had all heard of using stamps and paints and dyes etc. but it’s not until you take the time to experiment and play with repetition and variation that you really see what the possibilities are. Ali was a great tutor and very generous with her time and ‘allowing’ us to play. I think I can safely say on behalf of all of us that the weekend was really worthwhile and we’d highly recommend for anyone to invest their time. Go play!

Ali George

Ali George

orange and white

Working with white can be a little tricky. It is very stark and bright-especially when combined with orange! Those were the two colours for this month’s art quilt group challenge. Once again, a 6″square using only two colours, and something to do with flora or fauna.
I took quite awhile to decide on what to do with this one, as I usually do. More time is spent in the thinking and designing than there is on the actual creating. An orange when dissected, that is orange fruit, is actually just orange and white and no other colour. So I thought to depict a cut orange off-centred and partly off the square would fill the brief.
I first drew out the orange and the components I would need to get them well-proportioned and placed how I wanted them. I then used that as my ‘pattern’ and traced out the segments onto vliesofix.
I then ironed those parts onto some of my own hand-dyed orange fabric and then cut out and placed the pieces of orange fabric on a square of white felt as the background.
I free-motion stitched around the orange pieces, and did some stippling in white thread on the background to give some contrast in the texture.
Here are the interpretations from other quilters in the group:

Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn

Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn

Such fun to see what they all come up with!


I’ve just had a great weekend, especially with taking my lovely daughter to a pasta-making class in Brisbane. I had given the tickets to her for her birthday which was back in July, but this week was the first class vacancy they had. We had such a great time- it was held at Angelo’s Fresh Pasta, and they truly treated us very well.

I'm learning to roll the pasta

I’m learning to roll the pasta

We learnt how to first make the pasta dough and then roll it out on those nifty rolling machines- who knew there was an electric version?!- but also cut and roll into shapes or cut into ribbons for fettucine.
I so need to get one of these!

I so need to get one of these!

After the class we were treated to a 3-course lunch which was fantastic- fresh pasta is so much better than the packet dried version!
My daughter mastering the roller

My daughter mastering the roller

In last week’s post I showed my small quilt that I made for the ‘Orange & Purple’ challenge. I also have some photos of some of the other group members’ 6in quilt to show you here.
This is a group photo, followed by a few close-ups.:
Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish

Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish







Plus, here are some other works by the group members:
Jan K

Jan K

helenh Helen H

Enjoy your quilting week!

quilted strata

This month’s two-colour challenge for the Art Quilt group I belong to, was purple and orange. We could do anything within the general theme of flora and fauna, using only the two colours of orange and purple. This is my final result.

Orange & purple challenge: 6 * 6 inches

Orange & purple challenge: 6 * 6 inches

I want to use these challenges to try out different techniques and different media, as I figure it’s an excellent opportunity to play and experiment. So therefore my approach in creating this month’s task was not to think about what could I depict using only those two colours, but instead to consider what method or materials I wanted to try out this month. I started off by deciding to use paper as the base. Using paper, I wanted something with up-and-down texture on the surface by manipulating the paper.
Who knows what mysterious paths the brain takes as it mulls things over, considers all the options and factors, discards this idea and that before settling on something. For some reason, the image of strata popped in my head, as well as a fossil. That would do- a fossil fits in the flora and fauna scheme?!
I then remembered I had some ‘Modelling Compound’ that I’d once bought but not yet used: using that could achieve the rough texture to resemble layers of strata. So I started.
I used some hand-made paper and painted it with some purple ink. I stirred up the modelling compound, which has the texture of really thick white goop, and to that mixed in some orange acrylic paint.
I traced a shape of a fossil onto some freezer paper and stuck it in the centre where I wanted the fossil to appear. This was just to act as a mask and stop the paste flowing over it, as well as allowing that circle to be indented with the strata edges rising around it, like a fossil would have.
I then spread the orange paste over it all , putting lines and heavier bits in some sections, and digging some back out to reveal little glimpses of the purple. I then left it to dry.
Taking off the freezer paper mask in the middle, I had smeared just a little colour over that centre circle. It set with a rubbery texture so I was able to then do free-motion stitching all over it to (attempt to) resemble strata lines. I also stitched the fossil shape. The needle went through the orange ridges and stitched easily enough, although I did have to experiment with the thread to find one which could resist being ‘cut’ or breaking on the fine edges of the strata.
I think it sort of looked how I envisaged! although the paper I originally wanted to utilise ended up being an under-layer and not a feature. The orange appears a little too intense, so it could have been toned down a little. In fact, I would even say it is a little ugly, but it was fun experimenting!

the weekend

Weekends are what we all look forward to. Ah, the promise of it- all that time to do ‘other stuff’ – besides work! Last week we had a weekend in Brisbane. We had a night out, and of course I took some photos.

Brisbane- August 2016

Brisbane- August 2016

There’s something about city skylines and cityscapes that I love, and often a theme in my art quilts.
This was Brisbane at night…
Brisbane - August 2016

Brisbane – August 2016

just as impressive as New York at night- don’t you think?…
Karen Mundt  NYC- from the Empire State Building; October 2015

Karen Mundt NYC- from the Empire State Building; October 2015

We even had a steam train ride in and around the city. It got me thinking. We live about an hour from Brisbane and even though I visit Brisbane fairly regularly I don’t know it overly well as I mainly just go into the city. There is a lot about it that I haven’t seen so there is always lots to look at and investigate if you put your mind to it.
And I have a couple of photos from the recent Gatton Quilters meeting day. Kaye finished this quilt top that she was working on at our Coolum retreat, using the Grandmother’s Fan block:


This was Cornelia’s blue and green block from last month’s challenge- note the ‘banana hair’ in the centre that she made and dyed that beautiful blue:




and another one from Cornelia- she was catching up!:
Cornelia- Batik fabric challenge

Cornelia- Batik fabric challenge

Makes you want to just get in there and create!

green and purple galore

I’ve had some fun thinking up a small quilt- 6″ square- for my quilter’s group monthly colour challenge. This month it was all about green and purple. We could create anything using any techniques and materials to the loose theme of flora and fauna, but we could only use the two colours of green and purple. This is my little thistle flower.

Karen -thistle flower

Karen -thistle flower

I did it as an exercise in thread painting. I started out with a photo of a thistle that I printed onto some inkjet printable fabric. I also had to choose some threads to use so pulled out all the green and purple threads I had!
I certainly didn’t use all of these, but I did need to have a variety of darks, mediums and lights to choose from. It was then a matter of just starting somewhere, so I started in the middle, primarily with some colour that I knew would be behind, or underneath, other more prominent colours on top. This next photo was just after I started, with dark olive green in the middle and lighter highlights:
That bright green was used in the middle and was later covered up to leave just little specks of it showing through. A close-up:
It took lots of free-motion stitching back and forth to get the coverage. I just wanted the main flower to be stitched and to leave the printed photo as the rest of the background.


Here is a photo of the ‘sinchies’ made by the rest of our talented group:
L-R Bottom row: Jan M, Cornelia, Lyn, Jan K; middle row: Meryl, Helen S, mine, Helen H; Top row: Shirley, Trish, Marilyn

L-R Bottom row: Jan M, Cornelia, Lyn, Jan K; middle row: Meryl, Helen S, mine, Helen H; Top row: Shirley, Trish, Marilyn

The best part of these challenges is seeing what everyone else comes up with! Happy quilting!