red and blue

This month at Gatton Quilters’ monthly get together, there was a lot on show. Those of us in the Art Quilt group had our 6″ square in the colours of red and blue to show and tell. I decided to do a little bird, and picked a Crimson Rosella to portray.
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I firstly found a photo of the bird that I liked and traced it and then enlarged it, doing it the old-fashioned way using a grid and free-hand drawing it square by square.
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I traced each of the pieces off to make little paper pattern pieces, and placed them on the red and blue wool felt to cut each of them out.
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By using the felt, I didn’t have to worry about seam allowances, except those sections which overlapped, and also didn’t have to turn edges under. I stitched each of the pieces in to place on the background fabric. I used a small overcast stitch in matching thread.I then just had to do some further embellishment- I added some red braid and stitching down his chest, straight stitch on his wings and a little cross -stitch near his head. His legs are done with long bullion stitches in charcoal wool. I then sandwiched the piece with some backing and did some free-motion ‘scribbling’ to quilt it together.
June3
He was initially too big to fit on the sinchie so I had intended trimming off his tail once I had him in place, but then didn’t have the heart to! so I left that to hang out over the side.
Here are a few of the sinchies completed by other members of the group:

Top row: Helen S, Marg Y, Trish K; Row 2: Helen H, Marilyn, me; Row 3: Shirley.

Top row: Helen S, Marg Y, Trish K; Row 2: Helen H, Marilyn, me; Row 3: Shirley.


And some other work by the whole group:
Jeanette O

Jeanette O


Helen H

Helen H


Kaye C- prize-winning quit!

Kaye C- prize-winning quit!


Shirley- children's quilt

Shirley- children’s quilt

oldies but goodies

Old and vintage fabrics, stitcheries and embroideries, old cloth and linen- I love all of these and love to work with them when I can. I have various bits and pieces that I’ve been lucky enough to be given or have found in op shops or craft stalls etc. The rider is, of course, that I always say that I will probably be cutting it up or tearing into pieces to make something ‘new’, so as long as everyone is happy with that, I’ll take whatever I’m given!
Some years ago, I went shopping with my daughter in a second-hand shop and we came across a beautiful powder-blue dress which probably dated from the sixties. It was a short close-fitting sheaf, with a satin lining and lace overlay. It fit my daughter’s slim figure perfectly, so I just had to take the length up a little and she wore it to a race day. The strip of lace and fabric I had to cut off didn’t get thrown away- I kept it and just recently found a use for it.
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I’be been experimenting with stitching paper and cloth and laces etc. as part of an online course with Karen Ruane. We are experimenting and making little bits and pieces that can be attached to pages in an ‘artist book’, or a little journal if you like. I used the lace scrap to stitch onto some tracing paper.
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Using free-motion machine stitching, I stitched round and round in a random fashion. The tissue paper can then be torn off, leaving little paper scraps left behind, or leave it on as you wish.
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It can then be enhanced with further stitching including hand-stitching and embellished, as I did below. I cut off one section of th elace, removed the tissue paper from the middle part, and hand-stitched it onto some cream hand-made khadi paper.The little wooden beads are from an old necklace of mine that broke years ago.

Karen Mundt- artist book scrap

Karen Mundt- artist book scrap


Little pieces of loveliness!

orange and green

A little quilted 6inch square, in colours of orange and green and depicting something from the theme of flora and fauna. This is my contribution to that challenge.

Karen Mundt- Orange & Green Challenge

Karen Mundt- Orange & Green Challenge


I really enjoy stitching more and more these days, so I look for the opportunity to incorporate it where I can. I also wanted to utilise fabrics that I coloured myself in hand-dye classes, so these factors were the starting points in creating this piece.
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I arranged pieces of hand-dyed fabric on a backing piece of scrap cotton. When they seemed to be in just the right position, I used a drop of glue to keep them in place before taking the piece to the machine and sewing them down.
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I just used a normal straight stitch with some clear thread. Because there was effectively a couple of layers of fabric there, I didn’t have to use any stabiliser so could start straight in with the hand-stitching.
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I used 2 strands of green cotton thread and mainly running or back stitch and some knots. I stitched these free-hand, without drawing any outlines first. I try to avoid marking where ever possible, mainly because I worry about getting rid of the lines afterwards, especially if I don’t sew exactly on top of any marks. I also prefer a slightly rugged or naive look to stitching
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These are various weeds and grasses, sewn against the landscape-y backdrop. To finish it off, I added another piece of fabric as a backing, then hand-stitched around the edge in a big running stitch using a couple of different threads. I knotted them on the top side and also left the raw edges.
Karen Mundt- Orange & Green Challenge

Karen Mundt- Orange & Green Challenge


Hope you are having a good week.:)

green and white

I first ‘created’ this fabric in a workshop on printing, painting, enhancing and embellishing fabric. We used leaves and sticks and various surfaces for mono-prints and transferring images and rubbings. This fabric had various green paints and leaf shapes, so I decided to use it for this month’s green and white Sinchie challenge with Gatton Quilters.
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I added further rubbing using a crayon to transfer extra leaf outlines and fill in some spaces.
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After cutting out a smaller-sized piece, I started hand-stitching large running stitches across its surface. I used 3 strands of DMC cotton, starting with 3 dark green colour on one side and gradually introducing varying shades of green, changing to a light green by the time I got to the other side.
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I also cut out some little pieces of lace from a discarded remnant and incorporated them on the surface with the stitching.
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I then added some iron-on pellon to the back, cut out a piece of another fabric and sewed them, right-sides together to make a little quilt.
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We often produce lots of pieces of fabric in workshops and classes which can sit in our cupboards for ages before being put to good use. I’m working on trying to incorporate my various bits and pieces in art quilt projects- after all, we can always make more! This is a look at some of the other pieces created by members in our group:

Top row: Marilyn, Marg, Helen H, me Bottom row: Meryl, Lyn, Jan K, Shirley

Top row: Marilyn, Marg, Helen H, me
Bottom row: Meryl, Lyn, Jan K, Shirley


A quilted runner made by Marilyn:
Marilyn

Marilyn


… and a quilt I recently quilted on the long-arm for a special niece’s birthday!
longarm1
Until next week…

shades of purple

The challenge for the art quilt group I belong to was to make a 6inch quiltlet using only two colours- for January it was purple and yellow, and for February it was purple and white.This is the first one:

Karen --purple lotus

Karen –purple lotus


These small pieces are an excellent way of playing and experimenting- not just with a design restricted to two colours, but also techniques and materials. I’ve tried to vary all of these in each month’s piece that I’ve made. I had use of a needle felting machine over the Christmas period so thought I would have a play with it. I used scraps of jewel-coloured sari silk and wool roving which I tore up into bits and laid over a piece of soft wool felt as the background. It probably doesn’t look overly recognisable, but the look I was going for was a lotus flower (!).
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Varieties of purple pieces were felted down over an outline of petals, with yellow silk for the middle. I did try to do some shading, making some petal edges a different shade, but then added on afterwards some small pieces of torn cotton fabric to the edges for further emphasis. I did lots of free-motion stitching over the flower itself, and some scribble-stitching around the whole flower.
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To finish it off, I sewed it down onto a piece of hand-dyed purple cotton, sewing roughly around the edges numerous times, not wanting it to look too neat! I then trimmed that down (we are making them all at 6″ square),added a back on to it and turned it through, pillow-case style.
For the next one, using only purple and white, I decided to do a foundation-pieced butterfly.
Karen-purple flutterby

Karen-purple flutterby


I found a pattern somewhere in one of my books and made it using a variety of purples and whites, and some of my own painted fabric for the background pieces. I then added a striped border with mitred corners-
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p-w1
At the monthly meeting we all got to see everyone else’s interpretation of the flora and fauna theme with those colours:
Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn

Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn


Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl

Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl

how to make a Christmas gift

A recipe for a handmade book-mark:

Christmas Book-mark:   Karen Mundt

Christmas Book-mark: Karen Mundt


1. Take a piece of hand-painted and stencilled cloth and some sari ribbon of contrasting colours:
2. Lay out the sari ribbon silk strips and sew them down onto the painted cloth- I used a large zig-zag stitch in black thread.
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Then cut across that piece into short strips of varying widths – no ruler needed! Rearrange those short strips- I rearranged so that there would be red pieces of the ribbon popping up in random locations, and then sew them back together.
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3. The piece of re-constructed cloth I had at this stage was about 6″ wide. I then cross-cut that (you know I like to cut things up!) into the pieces that would become the book-mark- 6″ long and about 2.5″ wide. You can make them any size you want by sewing extra strips together or cutting wider or narrower….
bm12-crop
4. I tore up a page from an old book and together with a scrap of fabric attached them onto the top. I used little pieces of text fabric- any words or sayings to do with books or quilts, used black thread and left the thread ends showing on top.
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5. I then ironed onto the back of each of them some thin pellon- but in retrospect it would have been easier to iron that on to the back of the larger piece before cutting them up in Step 3 above :)
6. I used a piece of my hand-dyed cloth (dyed in a workshop quite a few years ago) as the backing- layered that and the top piece, wrong sides together, and sewed around the raw edges. I inserted a piece of ribbon or string as the loop for each one- leaving the cut edges out. Use whatever you have at hand, and they don’t all have to be the same. Sew around the edges at least twice free-style so the stitching looks uneven and ‘rustic’.
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Great to use for Christmas gifts!
bookmark1

workshopping

A couple of weeks back, I mentioned about the workshop we had here at Gatton, run by Ali George. I realised that I didn’t show many of the pieces I made on the day, so thought I would do so now.
paint5
All of the pieces needed the paints or oil stick or wax set in some way, so I have finally got around to doing that now. We produced quite a variety of different fabrics, and the challenge now is to use them in some way in our art quilts. That can be easier said than done- I find myself staring at all of them trying to come up with ideas on how best to make the most of them. That first picture above shows some leaves that were rolled with paint onto the fabric in a random arrangement, as with the one below:
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This piece started out as black fabric, which I then treated with some soy wax resist and bits of string, as well as gel bleach, to produce the design: I’m sure I can see a definite face.
wax-resist1
This one used fabric paint with a wood block stamp- I like it because it gives the appearance of an aerial view of city streets:
paint2
I think I will probably cut that one up to use in smaller blocks within an art quilt.
This couple were done with oil crayons and rubbing over surfaces- whatever surface could be found at the time:
crayon-page
I used some stencils made with an old card and some gold paint to make the bauble-shapes on top of the blue and purple – it was actually a ‘clean-up’ cloth but now looks special- it might come in handy for some Christmas sewing:
paint3
This next one was also a clean-up cloth until Ali grabbed it to use as a demonstration of the effect you will get when you tie string around a brayer and run it through some paint: those lovely green skinny lines made the cloth resemble scattered poppies. This has turned out to be my favourite piece of the day. I can see it being embellished with lots of hand-stitching:
poppies
This last one has an industrial look to it- produced with paint over a grid of masking tape and bubble-wrap:
paint1
Any suggestions on how to utilise them?!

art play

We had a workshop last weekend for a dozen or so of us in the Gatton Quilters who are interested in trying out new methods and techniques for perpetuating our memories with art quilts. The very talented and lovely Ali George travelled to us to guide us along the way for the two-day workshop.
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We learnt so many different techniques and tried out a lot of products, samples of which Ali had brought along for us to try and experiment with.
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We firstly used leaves and twigs; covering them with paint and taking a print. This expanded to stencils and masks and stamps, using acrylic paints and wax crayon. Ali showed us how easy it was to make our own stencils out of a piece of card and carve a stamp from an eraser. We tried wax crayons, or paintsticks, to make rubbings from random surfaces, and dipped fabric in rusting and tannin solutions to dye our fabrics.
On this little piece in the next photo, I used a small stencil I cut from card in what I thought was a teardrop shape. But after using some gold and blue paintsticks to rub around the edges, I realised that it actually looks like Christmas baubles! It’s given me some ideas- it might make great handmade Christmas cards!
wshop2
wshop1
We also used bleach with random objects to ‘take away’ the colour from black fabric in our own designs, as well as using soy wax as a resist and then spraying with bleach to extend the effects.
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Ali had some great wood blocks and stencils for us to play with.
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Workshops like these are fantastic in giving you time to play and experiment. I’m sure we had all heard of using stamps and paints and dyes etc. but it’s not until you take the time to experiment and play with repetition and variation that you really see what the possibilities are. Ali was a great tutor and very generous with her time and ‘allowing’ us to play. I think I can safely say on behalf of all of us that the weekend was really worthwhile and we’d highly recommend for anyone to invest their time. Go play!

Ali George

Ali George

orange and white

Working with white can be a little tricky. It is very stark and bright-especially when combined with orange! Those were the two colours for this month’s art quilt group challenge. Once again, a 6″square using only two colours, and something to do with flora or fauna.
orangeandwhite1
I took quite awhile to decide on what to do with this one, as I usually do. More time is spent in the thinking and designing than there is on the actual creating. An orange when dissected, that is orange fruit, is actually just orange and white and no other colour. So I thought to depict a cut orange off-centred and partly off the square would fill the brief.
I first drew out the orange and the components I would need to get them well-proportioned and placed how I wanted them. I then used that as my ‘pattern’ and traced out the segments onto vliesofix.
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I then ironed those parts onto some of my own hand-dyed orange fabric and then cut out and placed the pieces of orange fabric on a square of white felt as the background.
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I free-motion stitched around the orange pieces, and did some stippling in white thread on the background to give some contrast in the texture.
orangeandwhite1
Here are the interpretations from other quilters in the group:

Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn

Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn


Such fun to see what they all come up with!

playing

I’ve just had a great weekend, especially with taking my lovely daughter to a pasta-making class in Brisbane. I had given the tickets to her for her birthday which was back in July, but this week was the first class vacancy they had. We had such a great time- it was held at Angelo’s Fresh Pasta, and they truly treated us very well.

I'm learning to roll the pasta

I’m learning to roll the pasta


We learnt how to first make the pasta dough and then roll it out on those nifty rolling machines- who knew there was an electric version?!- but also cut and roll into shapes or cut into ribbons for fettucine.
I so need to get one of these!

I so need to get one of these!


After the class we were treated to a 3-course lunch which was fantastic- fresh pasta is so much better than the packet dried version!
pasta3
My daughter mastering the roller

My daughter mastering the roller


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pasta1
In last week’s post I showed my small quilt that I made for the ‘Orange & Purple’ challenge. I also have some photos of some of the other group members’ 6in quilt to show you here.
This is a group photo, followed by a few close-ups.:
Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish

Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish


Marg

Marg


Shirley

Shirley


Trish

Trish


Plus, here are some other works by the group members:
Jan K

Jan K


helenh Helen H

Enjoy your quilting week!