Creating a textile or mixed-media art postcard illustrating travel destinations of the world- this is the current challenge of Gatton Quilters.
The theme for October is Mexico. Continuing on with my theme of maps, I did this little map of the country. I used raw-edge applique with a machine button-hole as well as some free-motion machine stitching.
Karen – Mexico
Here are a few others completed by the members of the art group:
We managed to find a few sewing and quilting-related shops on our recent trip to France & England. It was handy to have looked them up before we went so we had a list of possibles to try and find. While we didn’t get to all of them, we enjoyed the ones we did!
This little Mercerie in Paris, called “Ultramod” was just a beautiful little old shop- which I know doesn’t seem so from its name!
We found it in a little side road, with a relatively unassuming exterior. It was like stepping into a treasure trove. It still used original wooden fixtures and cardboard boxes. It had a huge assortment of buttons…
and laces and trims…
some lovelies to just look at…
And on another note, Gatton Quilters’ new monthly quilt art challenge is to create a quilted or mixed-media postcard. The first month was…. Paris!
Here is my little postcard: a map quilt created with bits of fabric, some embellishment and hand stitching to top it off.
Top: Marilyn, Karen, Helen S; Row 2: Trish, Jan M, Marg; Row 3: Helen H, Shirley, Lyn
And some other works that were shown at the meeting:
Kaye C- sashiko table runner
Marilyn- table runners
And on another another Note!: I will be taking a break from my long-arm quilting business. I have a number of clients’s quilts to finish off by the end of the year, but won’t be taking in any new business after that. I hope to spend more time to do some of my own sewing and quilting, and creating some new things. But you never know what the future holds- I may change my mind and come back to it at some stage! I’ll keep you updated
Have a lovely week quilting!
Well, I’ve been away from this blog for about a month now while on holiday. I’ve been over to the Festival of Quilts in Birmingham, UK, as well as lots of other sights in England and France. If I can get back into a routine and a bit organised, I might show you some photos on here over the next few weeks!
‘House’ by Irina Voronina
The Festival was fantastic; lots to see of course but I also enjoyed seeing quite a few of the quilt artists themselves demonstrating in their booths and giving us an insight into how they work. There were a lot of quilts on display but unfortunately I only got to see a fraction of them. The quilts I’m showing here today are ones that caught my eye and that I especially loved. Some were just included in one of the many exhibitions, some were entered in competition.
‘Corinth Canal, Horizon’ by Fenella Davies
‘Home/Less’ by Eszter Bornemisza
‘My Place’ by Susan Denton
‘Woman and Thoughts of 3′ by Alison Garrett (entered in the Contemporary Quilts comp)
‘Woodpecker’ by Noriko Endo, Japan (Contemporary Quilts)
‘Betula’ by Liz Howlett (Contemporary Quilts)
‘Applique Alphabet’ by Sue Trevor (Contemporary Quilts)
‘Coastal Drift’ by Liz Heywood (Contemporary Quilts)
‘The Art of Integration’ by Moniek Hulsebos (Contemporary Quilts)
‘Bark’ Group quilt category by the Exe Valley CQ Group; 3rd Prize Winner
I have this desire to re-create a textile version of a close-up picture of a flower. I’ve tried a few times with varying levels of success. I love to take macro photos of flowers, to show the detail of those beautiful petals and the way they fold and layer in and around each other. So for this month’s sinchies challenge with my quilt group, and the last in this series, I had another try using just two colours of red and purple.
Karen Mundt- red and purple challenge
This was the photo I used as my inspiration:
My version is made with just two layers of fabric, the purple on top of the red. I first traced around the purple petals onto paper and lay that drawing on top of the 2 pieces. I stitched around the outlines of the purple parts and then cut away where I wanted the red to show through. I then started to draw with some Inktense water colour pencils:
I kept the picture near me to use for reference.
It took a lot of shading with the pencils to be able to get that illusion of the petals. I did a few layers, dampening the fabric first then colouring with the pencils.
The last step was then to do lots of top-stitching with purple thread- free-motion stitching to embellish just the purple petals.
When I look at the final picture up close I’m not convinced that it’s turned out as good as I would like, but to look at photos of it, the shading with the pencils does seem to give a realistic interpretation.
Karen Mundt- red and purple challenge
The rest of the quilt group also had their sinchie challenge pieces to show at our recent meeting day- we could use any two colours this month:
Row 1: me (Karen), Trish, Jan K, Helen S
Row 2: Meryl, Marilyn, Lyn, Shirley
Isn’t that little bird by Trish so cute- she has been learning to make hand-made lace:
Also at the meeting we saw this marvellous quilt by Kaye:
This month at Gatton Quilters’ monthly get together, there was a lot on show. Those of us in the Art Quilt group had our 6″ square in the colours of red and blue to show and tell. I decided to do a little bird, and picked a Crimson Rosella to portray.
I firstly found a photo of the bird that I liked and traced it and then enlarged it, doing it the old-fashioned way using a grid and free-hand drawing it square by square.
I traced each of the pieces off to make little paper pattern pieces, and placed them on the red and blue wool felt to cut each of them out.
By using the felt, I didn’t have to worry about seam allowances, except those sections which overlapped, and also didn’t have to turn edges under. I stitched each of the pieces in to place on the background fabric. I used a small overcast stitch in matching thread.I then just had to do some further embellishment- I added some red braid and stitching down his chest, straight stitch on his wings and a little cross -stitch near his head. His legs are done with long bullion stitches in charcoal wool. I then sandwiched the piece with some backing and did some free-motion ‘scribbling’ to quilt it together.
He was initially too big to fit on the sinchie so I had intended trimming off his tail once I had him in place, but then didn’t have the heart to! so I left that to hang out over the side.
Here are a few of the sinchies completed by other members of the group:
Top row: Helen S, Marg Y, Trish K; Row 2: Helen H, Marilyn, me; Row 3: Shirley.
Old and vintage fabrics, stitcheries and embroideries, old cloth and linen- I love all of these and love to work with them when I can. I have various bits and pieces that I’ve been lucky enough to be given or have found in op shops or craft stalls etc. The rider is, of course, that I always say that I will probably be cutting it up or tearing into pieces to make something ‘new’, so as long as everyone is happy with that, I’ll take whatever I’m given!
Some years ago, I went shopping with my daughter in a second-hand shop and we came across a beautiful powder-blue dress which probably dated from the sixties. It was a short close-fitting sheaf, with a satin lining and lace overlay. It fit my daughter’s slim figure perfectly, so I just had to take the length up a little and she wore it to a race day. The strip of lace and fabric I had to cut off didn’t get thrown away- I kept it and just recently found a use for it.
I’be been experimenting with stitching paper and cloth and laces etc. as part of an online course with Karen Ruane. We are experimenting and making little bits and pieces that can be attached to pages in an ‘artist book’, or a little journal if you like. I used the lace scrap to stitch onto some tracing paper.
Using free-motion machine stitching, I stitched round and round in a random fashion. The tissue paper can then be torn off, leaving little paper scraps left behind, or leave it on as you wish.
It can then be enhanced with further stitching including hand-stitching and embellished, as I did below. I cut off one section of th elace, removed the tissue paper from the middle part, and hand-stitched it onto some cream hand-made khadi paper.The little wooden beads are from an old necklace of mine that broke years ago.
A little quilted 6inch square, in colours of orange and green and depicting something from the theme of flora and fauna. This is my contribution to that challenge.
Karen Mundt- Orange & Green Challenge
I really enjoy stitching more and more these days, so I look for the opportunity to incorporate it where I can. I also wanted to utilise fabrics that I coloured myself in hand-dye classes, so these factors were the starting points in creating this piece.
I arranged pieces of hand-dyed fabric on a backing piece of scrap cotton. When they seemed to be in just the right position, I used a drop of glue to keep them in place before taking the piece to the machine and sewing them down.
I just used a normal straight stitch with some clear thread. Because there was effectively a couple of layers of fabric there, I didn’t have to use any stabiliser so could start straight in with the hand-stitching.
I used 2 strands of green cotton thread and mainly running or back stitch and some knots. I stitched these free-hand, without drawing any outlines first. I try to avoid marking where ever possible, mainly because I worry about getting rid of the lines afterwards, especially if I don’t sew exactly on top of any marks. I also prefer a slightly rugged or naive look to stitching
These are various weeds and grasses, sewn against the landscape-y backdrop. To finish it off, I added another piece of fabric as a backing, then hand-stitched around the edge in a big running stitch using a couple of different threads. I knotted them on the top side and also left the raw edges.
I first ‘created’ this fabric in a workshop on printing, painting, enhancing and embellishing fabric. We used leaves and sticks and various surfaces for mono-prints and transferring images and rubbings. This fabric had various green paints and leaf shapes, so I decided to use it for this month’s green and white Sinchie challenge with Gatton Quilters.
I added further rubbing using a crayon to transfer extra leaf outlines and fill in some spaces.
After cutting out a smaller-sized piece, I started hand-stitching large running stitches across its surface. I used 3 strands of DMC cotton, starting with 3 dark green colour on one side and gradually introducing varying shades of green, changing to a light green by the time I got to the other side.
I also cut out some little pieces of lace from a discarded remnant and incorporated them on the surface with the stitching.
I then added some iron-on pellon to the back, cut out a piece of another fabric and sewed them, right-sides together to make a little quilt.
We often produce lots of pieces of fabric in workshops and classes which can sit in our cupboards for ages before being put to good use. I’m working on trying to incorporate my various bits and pieces in art quilt projects- after all, we can always make more! This is a look at some of the other pieces created by members in our group:
Top row: Marilyn, Marg, Helen H, me Bottom row: Meryl, Lyn, Jan K, Shirley
A quilted runner made by Marilyn:
… and a quilt I recently quilted on the long-arm for a special niece’s birthday!
The challenge for the art quilt group I belong to was to make a 6inch quiltlet using only two colours- for January it was purple and yellow, and for February it was purple and white.This is the first one:
Karen –purple lotus
These small pieces are an excellent way of playing and experimenting- not just with a design restricted to two colours, but also techniques and materials. I’ve tried to vary all of these in each month’s piece that I’ve made. I had use of a needle felting machine over the Christmas period so thought I would have a play with it. I used scraps of jewel-coloured sari silk and wool roving which I tore up into bits and laid over a piece of soft wool felt as the background. It probably doesn’t look overly recognisable, but the look I was going for was a lotus flower (!).
Varieties of purple pieces were felted down over an outline of petals, with yellow silk for the middle. I did try to do some shading, making some petal edges a different shade, but then added on afterwards some small pieces of torn cotton fabric to the edges for further emphasis. I did lots of free-motion stitching over the flower itself, and some scribble-stitching around the whole flower.
To finish it off, I sewed it down onto a piece of hand-dyed purple cotton, sewing roughly around the edges numerous times, not wanting it to look too neat! I then trimmed that down (we are making them all at 6″ square),added a back on to it and turned it through, pillow-case style.
For the next one, using only purple and white, I decided to do a foundation-pieced butterfly.
I found a pattern somewhere in one of my books and made it using a variety of purples and whites, and some of my own painted fabric for the background pieces. I then added a striped border with mitred corners-
At the monthly meeting we all got to see everyone else’s interpretation of the flora and fauna theme with those colours:
Clockwise from TL: Helen H, Marg Y, Cornelia, Shirley, Marilyn, Helen S, Jan K, Lyn
Clockwise from TL-Shirley, JanK, me, Helen S, HelenH, Lyn, Marg, Meryl
1. Take a piece of hand-painted and stencilled cloth and some sari ribbon of contrasting colours:
2. Lay out the sari ribbon silk strips and sew them down onto the painted cloth- I used a large zig-zag stitch in black thread.
Then cut across that piece into short strips of varying widths – no ruler needed! Rearrange those short strips- I rearranged so that there would be red pieces of the ribbon popping up in random locations, and then sew them back together.
3. The piece of re-constructed cloth I had at this stage was about 6″ wide. I then cross-cut that (you know I like to cut things up!) into the pieces that would become the book-mark- 6″ long and about 2.5″ wide. You can make them any size you want by sewing extra strips together or cutting wider or narrower….
4. I tore up a page from an old book and together with a scrap of fabric attached them onto the top. I used little pieces of text fabric- any words or sayings to do with books or quilts, used black thread and left the thread ends showing on top.
5. I then ironed onto the back of each of them some thin pellon- but in retrospect it would have been easier to iron that on to the back of the larger piece before cutting them up in Step 3 above
6. I used a piece of my hand-dyed cloth (dyed in a workshop quite a few years ago) as the backing- layered that and the top piece, wrong sides together, and sewed around the raw edges. I inserted a piece of ribbon or string as the loop for each one- leaving the cut edges out. Use whatever you have at hand, and they don’t all have to be the same. Sew around the edges at least twice free-style so the stitching looks uneven and ‘rustic’.