I love to quilt - all types of quilting, but particularly contemporary, or modern, or artistic! I have a long-arm quilting machine on which I do hand-guided, or free-hand,quilting. This is the core of my new business Liitle Birdie Quilting.
I made this little quilt for our recent quilt show. All our members were tasked with using some of the fabric we had created at various workshops over the years. In the past we have had workshops on eco-dyeing, painting, stencilling, stamping hand-dyeing and so on, which results in various pieces of fabric without a particular plan to use them! So for this one, I started off looking through some of the pieces I had in my cupboard to choose something to work with.
This piece was stamped with leaves that had been rolled with some paint and pressed onto the cloth. Blues and purples are always my favourites.
I added to that some hand-dyes that I made quite a few years ago and some commercial fabrics. I don’t know how I came up with the design, but I just started with the idea of making something using the quarter-square triangle block.
I don’t use my Sizzix cutter that often but thought I should make the effort this time so used it to cut the triangles. The bonus of course is that I could just work with the size die that I had and base the quilt size around that. I incorporated some Tula Pink tiger/lion fabric which had the effect of looking like an animal was hiding and peeking out.
I recently had some quilts hanging in the exhibition held in the Lockyer Valley Art Gallery by Gatton Quilters. Here are some pictures of them and a few other works, however I didn’t get a lot of pictures so I haven’t included everyone’s work here. This first one is my Shimmer Quilt that I just finished in time to include. I used lots of my favourite bright-coloured fabrics, mostly Kaffe Fassett and Philip Jacobs. The pattern was by Jenny Bowker.:
Karen Mundt- Shimmer Quilt
My Eco Hodge Podge, (on the right below) was made using lots of pieces of stencilled and painted fabric from various workshops our group has had over recent years. The small quilt on the left was also made with stencilled fabric, mixed with commercial fabric. It’s title is “There’s a lion in there’- can you see it?
The cushion below was made by Amanda in a ‘Working with Curves’ workshop:
I made this quilt last year for my son, using the Victoria Findlay Wolfe pattern ‘Bright Lights, Big City”:
L: Amanda; R-Allison
Self portraits- using any technique
L: Jan Knight, Meryl Blair; R-Karen- ‘Urban Sprawl’
The quilt below is my ‘Small World’ quilt (pattern by Jen Kingwell):
The small quilts below were done as part of a monthly ‘colour’ challenge. We could only use one colour but whatever technique or theme we wanted.
And this one below- last year’s colour sinchies challenge: only 6″ in size, using 2 colours only and following the theme Flora and Fauna:
Each maker’s sinchies are in a horizontal row across the wall- mine is the 4th row from the bottom.
My local quilting group often runs workshops and invites other quilters and artists to come along and teach us new techniques and ideas to broaden our skills. We have done a few on dyeing and eco-dyeing, painting fabric and using stencils and stamps to create ‘new’ fabric. We therefore end up with quite a few bits of fabric that we then have to utilise in our projects in some way.
Another challenge that I have completed this year was to use fabric from one of these workshops and produce a completed work for display in our current exhibition. After much deliberation, I picked this piece:
When I stencilled and painted it, I did so with no thought on what it could be used for- it was basically just experimenting and playing. The first thing that came to mind was to just cut it up because there wasn’t any cohesion between the different areas. But then I decided that I could make it into a sampler of sorts, a piece to incorporate little bits of stitching I had experimented with over the years. Pieces I had stitched when experimenting with stitches and threads and scraps…
I decided to add them all with large visible stitching.
Once all the scraps were on, I stitched the whole piece with parallel lines of sashiko-style stitching in different directions using all manners of thread.
Well, my break from the blog turned out to be a little longer than I first thought it would be! I’ve actually been thinking hard about whether to continue with this blog as it seems that blog-reading has widely taken a downturn in favour of other forms of social media. I constantly use Instagram where I post photos of my works in progress so I found myself turning to that more and more. The number of visits to this blog are also not in great numbers- sometimes I’m not even sure there is anyone out there reading it! Let me know if you are in the comments while I make up my mind…
This quilt I’m showing today is one I have just finished, after working on it for over 12 months on and off. It is called the Shimmer quilt, pattern is by Jenny Bowker. It especially looks colourful against that great blue sky!
Shimmer- Karen Mundt
I love how the blocks shimmer across into each other, using the half-square triangles to blend the colours in.
The hardest part of this was working out which fabrics to use and where to place them. Fabric choice was all important, and there were a few blocks that I put up on my wall that didn’t make the final cut, and some that had to be re-made when I moved them around.
There was lots of cutting and piecing involved…
The movement of the colour across the quilt was really important to manage. Looking at the final image of it now, the yellow/orange diagonal streak across the quilt stands out even though it wasn’t planned that way.
I quilted it on my longarm with a freehand design- it is so ‘busy’ that nothing too complicated was needed.
This quilt will be in an exhibition at the Lockyer Valley Art Gallery from 23 April until 27 May. My local group, Gatton Quilters, is mounting a great display of quilts and other pieces to showcase the results of all our hard work over the past couple of years. Try and take a look if you find yourself coming past this way!
It seems like a long time in between finished quilts for me, so I’m always happy when I can say ‘I finished one’! This quilt is one I made as a contribution towards the Gatton Quilter’s 2-year-long project to make quilts for donation to local charities. We were lucky to have a lot of fabric donated to the club to use for these quilts, so I chose bright fabrics that I thought would look good in a children’s quilt.
I did blog about the making of it back in February here so that shows I have been taking my time about it :), but mainly just fitting it in around lots of other things happening.
The pattern is adapted from one that appeared in the Homespun magazine in 2015. I took out some applique from the original pattern and made it bigger to fit a single-sized bed. I also decided to arrange the blocks into a gradated colour scheme from blues to reds and yellows diagonally down the quilt.
For the backing I just used up as much of the fabric as I could, so in all it is a very colourful quilt which I hope some lucky boy or girl will like. I quilted it myself on the long-arm with a simplified all-over design of diagonal lines.
The Gatton Quilters have donated quite a number of quilts over the past couple of years and a lot of people put in quite an effort to achieve that. Well done to all!
I have some photos here of the recent Gatton Quilters meeting. We had a few different things happening and lovely examples of quilters’ works.
Our current postcard challenge was to do a travel-themed postcard for Botswana. This is my contribution:
I was able to indulge my fondness for giraffes and featured them with a map of the famous Okavango Delta in the northern part of the country.
Column 1 Top down: Shirley,Lyn, Helen H. Column 2 Marg,Karen. Column 3: Trish, Helen S
We are very fortunate to have some very generous people in the group willing to share their skills. Jan Knight has been teaching the art of ribbon embroidery to those who were keen to learn this beautiful skill.
Jan K-ribbon embroidery book
Jan was a busy girl that day because she also showed us how to make silk paper, using silk or wool tops. The silk was teased out over some tulle laid on a plastic sheet. There are a number of layers, each sprayed with the water/glue mix. The last step was to flatten it out and allow to dry. We haven’t yet seen it in its final stage but I will have to give it a go myself because it looked a very easy process.
I have been making some more blocks for the Shimmer quilt I started quite some time ago. You might remember I posted about it back here.
This is a progress photo which gives the gist of how it goes together- just imagine it without the gap in the middle!
It is from a p[attern by Jenny Bowker. It has lots of half-square triangle blocks and therefore lots of piecing!
Those triangle blocks, when placed near the large squares of fabric, enable the colours to shimmer as you look across the quilt. I was recently piecing some of the blocks which used as their base this Kaffe Fassett fabric, Black Lotus Stripe:
I had to find four different fabrics to team with it for the surrounding triangle blocks. As I put them all together I noticed how, although all were different, each fabric I teamed with it just looked so good and seemed to suit it perfectly.
From a mustardy-gold, a blue shot-cotton, a blue/purple batik to a dark green batik: It reminded me how we should always keep trying for the what-ifs- don’t go for the obvious and look for something different.
This next photo shows where those blocks will fit into the quilt. I think all the blocks are now made and the quilt-top is ready to start assembling!
So, I went to a workshop last week. The tutor was Marg Sampson George, and while most of the others were a frequent repeater to her classes, my first foray was a great experience. I had a lovely time and Marg was a great teacher. I had been given her book as a Mother’s Day gift and chose one of her quilts from there to start on- the ‘Little Miss April’ quilt. As you might know, my preferred style of quilting is machine-piecing, with lots of fabric, a.k.a scrappy style, and more often than not I’ll choose bright colourful fabrics.
However, I decided to try something different and work with a more subdued palette. This piece of fabric (above) is from the Janet Clare line called ” A garden study” and I had bought it some time ago. I had been keeping it in my stash, just waiting for the right project. And, even though I love big bold prints, I also have a fondness for a softer colour scheme with creams, blues, greys and browns. I decided to use this fabric as the inspiration for the colour scheme for my version of this quilt.
The quilt is made using paper piecing. It uses a variety of shapes that all make up into larger hexagons. The bonus of starting it in the workshop was getting colour and fabric advice from Marg, especially as I am attempting to work with a relatively restricted colour-way. I may add in little snippets here and there, as in the first block below. I am so tempted to want to add in more colour! I’ve only got a few blocks started- and none of these are fully finished yet.
Here are a few photos of other work from the class, in various stages of completion:
A little progress report on my year-long hand-stitching project- One Year of Stitches. I’ve been continuing to do a few stitches every day on this and it has been slowly building and growing. A little bit each day can make a difference!
Karen Mundt- 1 Year of Stitches October
I have no plan and no specific end-product in mind. Just a free-form improv type of thing. I’ve included some pictures of the piece below showing how it has progressed through the year.