colour- my favourite topic

I have been making some more blocks for the Shimmer quilt I started quite some time ago. You might remember I posted about it back here.
This is a progress photo which gives the gist of how it goes together- just imagine it without the gap in the middle!
It is from a p[attern by Jenny Bowker. It has lots of half-square triangle blocks and therefore lots of piecing!
Those triangle blocks, when placed near the large squares of fabric, enable the colours to shimmer as you look across the quilt. I was recently piecing some of the blocks which used as their base this Kaffe Fassett fabric, Black Lotus Stripe:
I had to find four different fabrics to team with it for the surrounding triangle blocks. As I put them all together I noticed how, although all were different, each fabric I teamed with it just looked so good and seemed to suit it perfectly.
From a mustardy-gold, a blue shot-cotton, a blue/purple batik to a dark green batik: It reminded me how we should always keep trying for the what-ifs- don’t go for the obvious and look for something different.
This next photo shows where those blocks will fit into the quilt. I think all the blocks are now made and the quilt-top is ready to start assembling!

something different

So, I went to a workshop last week. The tutor was Marg Sampson George, and while most of the others were a frequent repeater to her classes, my first foray was a great experience. I had a lovely time and Marg was a great teacher. I had been given her book as a Mother’s Day gift and chose one of her quilts from there to start on- the ‘Little Miss April’ quilt. As you might know, my preferred style of quilting is machine-piecing, with lots of fabric, a.k.a scrappy style, and more often than not I’ll choose bright colourful fabrics.
However, I decided to try something different and work with a more subdued palette. This piece of fabric (above) is from the Janet Clare line called ” A garden study” and I had bought it some time ago. I had been keeping it in my stash, just waiting for the right project. And, even though I love big bold prints, I also have a fondness for a softer colour scheme with creams, blues, greys and browns. I decided to use this fabric as the inspiration for the colour scheme for my version of this quilt.
The quilt is made using paper piecing. It uses a variety of shapes that all make up into larger hexagons. The bonus of starting it in the workshop was getting colour and fabric advice from Marg, especially as I am attempting to work with a relatively restricted colour-way. I may add in little snippets here and there, as in the first block below. I am so tempted to want to add in more colour! I’ve only got a few blocks started- and none of these are fully finished yet.
Here are a few photos of other work from the class, in various stages of completion: