colour- my favourite topic

I have been making some more blocks for the Shimmer quilt I started quite some time ago. You might remember I posted about it back here.
This is a progress photo which gives the gist of how it goes together- just imagine it without the gap in the middle!
shimmer2
It is from a p[attern by Jenny Bowker. It has lots of half-square triangle blocks and therefore lots of piecing!
shimmer1
Those triangle blocks, when placed near the large squares of fabric, enable the colours to shimmer as you look across the quilt. I was recently piecing some of the blocks which used as their base this Kaffe Fassett fabric, Black Lotus Stripe:
lotus2-crop
I had to find four different fabrics to team with it for the surrounding triangle blocks. As I put them all together I noticed how, although all were different, each fabric I teamed with it just looked so good and seemed to suit it perfectly.
Lotus1
From a mustardy-gold, a blue shot-cotton, a blue/purple batik to a dark green batik: It reminded me how we should always keep trying for the what-ifs- don’t go for the obvious and look for something different.
This next photo shows where those blocks will fit into the quilt. I think all the blocks are now made and the quilt-top is ready to start assembling!
lotus2

something different

So, I went to a workshop last week. The tutor was Marg Sampson George, and while most of the others were a frequent repeater to her classes, my first foray was a great experience. I had a lovely time and Marg was a great teacher. I had been given her book as a Mother’s Day gift and chose one of her quilts from there to start on- the ‘Little Miss April’ quilt. As you might know, my preferred style of quilting is machine-piecing, with lots of fabric, a.k.a scrappy style, and more often than not I’ll choose bright colourful fabrics.
starter
However, I decided to try something different and work with a more subdued palette. This piece of fabric (above) is from the Janet Clare line called ” A garden study” and I had bought it some time ago. I had been keeping it in my stash, just waiting for the right project. And, even though I love big bold prints, I also have a fondness for a softer colour scheme with creams, blues, greys and browns. I decided to use this fabric as the inspiration for the colour scheme for my version of this quilt.
fabric
The quilt is made using paper piecing. It uses a variety of shapes that all make up into larger hexagons. The bonus of starting it in the workshop was getting colour and fabric advice from Marg, especially as I am attempting to work with a relatively restricted colour-way. I may add in little snippets here and there, as in the first block below. I am so tempted to want to add in more colour! I’ve only got a few blocks started- and none of these are fully finished yet.
block1block2block3block4
Here are a few photos of other work from the class, in various stages of completion:
class1
class2
Kyleigh