white, white and more white….

This is a 6″square; a quilted close-up picture of a rose.

Karen Mundt

Karen Mundt


With the colours of this month’s challenge being white and yellow, I set myself a little challenge to see if I could recreate the picture using only shades of white. I found a photo of a white rose with the focus on its beautiful centre. I used a method of Upside Down Applique, which I learnt in an online course I did years ago with the now-defunct Quilt University. It’s the same method I used to create this flower picture, shown here on the blog back in August:
Frangipani- Karen Mundt

Frangipani- Karen Mundt


After taking a photocopy of the photo, I traced around all the little sections where the colour changed and worked out that I could create it with 4 shades of white, which I numbered 1 to 4. I used little bits of yellow for the darkest bits.
We always hear about lots of shades of white- winter white, warm white, bright white etc so when you line up a few against each other, it’s easy to be able to arrange them in order from ‘light’ to ‘dark.’
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I traced the picture onto a piece of stabiliser and numbered all the pieces according to which shade of white was needed. I then used that to applique each little piece, sewing it down from the reverse side.
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I started with the darkest pieces first, working on the rule that dark colours recede and lights advance. The darkest sections in the picture were in fact the deepest recesses of the curled petals. I added a piece of the darkest white fabric to all those spots, following the lines drawn on the stabiliser and therefore sewing from the back side – sort of like how we do foundation piecing. I used a clear monofilament thread in the bobbin and white thread in the needle, sewing exactly along the lines with an embroidery foot and dropped feed dogs.
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Once each piece is sewn down it can be trimmed as close as possible to the sewing line, except those parts where one piece under-laps another piece yet to be added. I sewed all the Number 4 pieces and the yellow, then moved onto White #3, sewed all those, and so on down to White #2 and White #1.
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As I sewed each piece, I coloured in that piece on my little drawing just to keep track of which bits had been sewn.
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After all pieces are sewn down and the edges clipped,
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I turned it around with the front facing up and then did lots of free-motion top-stitching with white thread around all the pieces. The little quilt was then backed and some last quilting done on top.
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I added a little bit of dark pencil to create shadows and add dimension along some of the edges.
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The flower-shape looks a little clearer when seen from a distance, as in the photo below taken with all of the quiltlets made by our quilt group at our recent meeting. One thing that I should have utilised more was the effect that was achieved in the white pieces that surroundered the small yellow pieces. The yellow created a shadow under the white, so in effect performed the role of another ‘colour’ to add to the variations.
You can see in the photo below the interpretations everyone came up with on the Flora & Fauna theme and only using white and yellow.
L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S

L-R, Row1: Helen H, Jan M, Meryl, Lyn; Row 2: Jan K, Shirley, Mine, Marilyn; Row 3(top) Cornelia, Trish, Helen S


trishhelen
Trish and Helen S

Jan K

Jan K


Meryl, Lyn

Meryl, Lyn


This next photo is a few quilts left from last month’s orange and white theme.
Clockwise from top left: Helen S, Shirley, Jan M, Meryl

Clockwise from top left: Helen S, Shirley, Jan M, Meryl