Working with white can be a little tricky. It is very stark and bright-especially when combined with orange! Those were the two colours for this month’s art quilt group challenge. Once again, a 6″square using only two colours, and something to do with flora or fauna.
I took quite awhile to decide on what to do with this one, as I usually do. More time is spent in the thinking and designing than there is on the actual creating. An orange when dissected, that is orange fruit, is actually just orange and white and no other colour. So I thought to depict a cut orange off-centred and partly off the square would fill the brief.
I first drew out the orange and the components I would need to get them well-proportioned and placed how I wanted them. I then used that as my ‘pattern’ and traced out the segments onto vliesofix.
I then ironed those parts onto some of my own hand-dyed orange fabric and then cut out and placed the pieces of orange fabric on a square of white felt as the background.
I free-motion stitched around the orange pieces, and did some stippling in white thread on the background to give some contrast in the texture.
Here are the interpretations from other quilters in the group:
Top row, L-R: Marilyn, Jan K; Centre row: mine, Marg, Helen H; Bottom row: Cornelia,Trish, Lyn
I started my longarm quilting business back in about 2012-2013. I was a novice and taught myself to use the machine- a Gammill Classic Plus. Quilt by quilt I slowly progressed, and I’m thankful to those who trusted their quilts to me to do my best. My longarm machine is not computerised; it has a stitch regulator but all quilting is hand-guided with free-motion quilting or sometimes following a stencil or pantograph.
Karen- My Small World quilt (Jen Kingwell pattern).
I’m now looking to expand and extend my quilting endeavours by making quilts for sale or on commission. I have been making my own quilts for many years, and that’s my real love. I could sit and sew patchwork quilts all day! I know there are many people who love and appreciate quilts but perhaps don’t wish to make their own. If you know anyone who wants to buy a ready-made quilt or wants a quilt made with their own choice of pattern and fabric, I would love it if you suggest my name to them!
Mini quilt made for a swap in 2015
I have a number of quilts already that I plan to put up for sale, and that will happen over the next few weeks.
I also do a lot of art quilting for something a little different.
Small art quilt to my own design
This is just my first step in this direction, and I’m yet to work out the specifics of prices and accepting payments etc. (maybe an Etsy store? or an online shop?) I’m not sure whether there is a big enough market out there for me to join it, or indeed whether people are willing to pay an appropriate price for a genuine, hand-made quality quilt. What do you think?
In the meantime, here are a few pictures of a recent quilt that I quilted for a customer:
It was quilted in a hand-guided custom design using an off-white thread.
I was reading an article the other day where a craft person was being interviewed, and one of the questions was about collections, and whether that person had ever collected anything. It got me thinking about what a collection is- how many similar items can be classed as a collection? I’m thinking more than 3- do you agree? I’m sure in that case, we would all have a collection of fabric, a collection of quilting books, a collection of scissors or collection of thimbles perhaps?
Besides those obvious ones though, I do have a few other collections. I have this little collection of teapots (which I know is not nearly as many as another local quilter I know ;)…
And then, there is my growing collection of giraffes:
I am still working on the blocks for the Splendid sampler so I’ve got quite a collection of them:
Block 39 Splendid Sampler
Some of them I add my own extra touches, such as the sashiko stitching on the hexagons, but I’m still sticking to the Japanese fabrics, taupes and indigo and cream.
I’ve just had a great weekend, especially with taking my lovely daughter to a pasta-making class in Brisbane. I had given the tickets to her for her birthday which was back in July, but this week was the first class vacancy they had. We had such a great time- it was held at Angelo’s Fresh Pasta, and they truly treated us very well.
I’m learning to roll the pasta
We learnt how to first make the pasta dough and then roll it out on those nifty rolling machines- who knew there was an electric version?!- but also cut and roll into shapes or cut into ribbons for fettucine.
I so need to get one of these!
After the class we were treated to a 3-course lunch which was fantastic- fresh pasta is so much better than the packet dried version!
My daughter mastering the roller
In last week’s post I showed my small quilt that I made for the ‘Orange & Purple’ challenge. I also have some photos of some of the other group members’ 6in quilt to show you here.
This is a group photo, followed by a few close-ups.:
Top row, L-R: Helen H, Lyn, Jan M,Karen; Row 2: Marg, Jan K, Meryl, Marilyn; Row 3: Shirley, Helen S, Trish
Plus, here are some other works by the group members:
This month’s two-colour challenge for the Art Quilt group I belong to, was purple and orange. We could do anything within the general theme of flora and fauna, using only the two colours of orange and purple. This is my final result.
Orange & purple challenge: 6 * 6 inches
I want to use these challenges to try out different techniques and different media, as I figure it’s an excellent opportunity to play and experiment. So therefore my approach in creating this month’s task was not to think about what could I depict using only those two colours, but instead to consider what method or materials I wanted to try out this month. I started off by deciding to use paper as the base. Using paper, I wanted something with up-and-down texture on the surface by manipulating the paper.
Who knows what mysterious paths the brain takes as it mulls things over, considers all the options and factors, discards this idea and that before settling on something. For some reason, the image of strata popped in my head, as well as a fossil. That would do- a fossil fits in the flora and fauna scheme?!
I then remembered I had some ‘Modelling Compound’ that I’d once bought but not yet used: using that could achieve the rough texture to resemble layers of strata. So I started.
I used some hand-made paper and painted it with some purple ink. I stirred up the modelling compound, which has the texture of really thick white goop, and to that mixed in some orange acrylic paint.
I traced a shape of a fossil onto some freezer paper and stuck it in the centre where I wanted the fossil to appear. This was just to act as a mask and stop the paste flowing over it, as well as allowing that circle to be indented with the strata edges rising around it, like a fossil would have.
I then spread the orange paste over it all , putting lines and heavier bits in some sections, and digging some back out to reveal little glimpses of the purple. I then left it to dry.
Taking off the freezer paper mask in the middle, I had smeared just a little colour over that centre circle. It set with a rubbery texture so I was able to then do free-motion stitching all over it to (attempt to) resemble strata lines. I also stitched the fossil shape. The needle went through the orange ridges and stitched easily enough, although I did have to experiment with the thread to find one which could resist being ‘cut’ or breaking on the fine edges of the strata.
I think it sort of looked how I envisaged! although the paper I originally wanted to utilise ended up being an under-layer and not a feature. The orange appears a little too intense, so it could have been toned down a little. In fact, I would even say it is a little ugly, but it was fun experimenting!
September is a beautiful month isn’t it? The start of Spring and perfect weather- warm days and cool nights, nothing too extreme. I thought I would indulge a little and give you a photo essay this week- our garden, and a few furry children thrown in!
The blocks I’m making as part of the Splendid Sampler, hosted by Pat Sloan and Jane Davidson, are coming along surely and steadily, even if I’m a little behind!
I’m still making them with mainly Japanese taupes, linens, some indigo patterns and whatever else fits within that scheme. I usually make quilts that are bright and with as many fabrics as I can, so it feels a little strange to restrict myself with this palette; I’m still having second thoughts whenever I look at these blocks that appear so ‘traditional’ to me! But, its’s giving me practise at working with values and putting more thought into colour.
Here’s a little catch-up since the last time I showed some blocks on here, with their name and block designer’s name:
#30-Simple Surprises by Amy Ellis
#32 The Constant Needle by Laurie Simpson
This next one provided a good opportunity to use some of the selvedges that I’ve been saving for ages:
#33 Selvedge Saver by Pat Sloan
Block 34 – Lemonade by Amy Gibson
This block originally had hand-stitching along the ‘garden paths’ but I decided to try out some of the decorative stitches on my machine which also don’t get used that often! In the centre, I put a little square of braid from a piece I bought in New York last year.
#35 The Wishful Garden by Kristyne Czepuryk
Block 36 gave me the chance to do some little hexagons. Aren’t they cute! Each of the larger hexagon is made of tiny little hexies.
#36 Inchy Hexagon Club designed by Jane Davidson
I like making hexagons- I might have to think about making a hexagon quilt (some day).
So, back to the sewing machine!
Weekends are what we all look forward to. Ah, the promise of it- all that time to do ‘other stuff’ – besides work! Last week we had a weekend in Brisbane. We had a night out, and of course I took some photos.
Brisbane- August 2016
There’s something about city skylines and cityscapes that I love, and often a theme in my art quilts.
This was Brisbane at night…
Brisbane – August 2016
just as impressive as New York at night- don’t you think?…
Karen Mundt NYC- from the Empire State Building; October 2015
We even had a steam train ride in and around the city. It got me thinking. We live about an hour from Brisbane and even though I visit Brisbane fairly regularly I don’t know it overly well as I mainly just go into the city. There is a lot about it that I haven’t seen so there is always lots to look at and investigate if you put your mind to it.
And I have a couple of photos from the recent Gatton Quilters meeting day. Kaye finished this quilt top that she was working on at our Coolum retreat, using the Grandmother’s Fan block:
This was Cornelia’s blue and green block from last month’s challenge- note the ‘banana hair’ in the centre that she made and dyed that beautiful blue:
and another one from Cornelia- she was catching up!:
I’ve had some fun thinking up a small quilt- 6″ square- for my quilter’s group monthly colour challenge. This month it was all about green and purple. We could create anything using any techniques and materials to the loose theme of flora and fauna, but we could only use the two colours of green and purple. This is my little thistle flower.
Karen -thistle flower
I did it as an exercise in thread painting. I started out with a photo of a thistle that I printed onto some inkjet printable fabric. I also had to choose some threads to use so pulled out all the green and purple threads I had!
I certainly didn’t use all of these, but I did need to have a variety of darks, mediums and lights to choose from. It was then a matter of just starting somewhere, so I started in the middle, primarily with some colour that I knew would be behind, or underneath, other more prominent colours on top. This next photo was just after I started, with dark olive green in the middle and lighter highlights:
That bright green was used in the middle and was later covered up to leave just little specks of it showing through. A close-up:
It took lots of free-motion stitching back and forth to get the coverage. I just wanted the main flower to be stitched and to leave the printed photo as the rest of the background.
Here is a photo of the ‘sinchies’ made by the rest of our talented group:
L-R Bottom row: Jan M, Cornelia, Lyn, Jan K; middle row: Meryl, Helen S, mine, Helen H; Top row: Shirley, Trish, Marilyn
The best part of these challenges is seeing what everyone else comes up with! Happy quilting!
I’ve been playing with scraps lately. Cutting up lots of pieces and sewing them back together, as we do. I started making these pieces of improvisation a couple of months ago, just constructing blocks of no particular size or shape and no design in mind.
When I got them back out again this weekend I put up on a board the bits I had already made, to get some ideas on how I want them to all be joined up together.
A very favourite theme of mine is cityscapes, so it’s not surprising that I finally decided on building a quilt around that idea- a view of a city in a sort-of deconstructed way. I have some lop-sided flying geese blocks, triangles and log cabin blocks which when put together resemble houses and buildings. I like that idea, and I’m on my way!
I am using lots of white with pops of colour, some greens and blues, a little purple and brown spots. I want it to be a ‘modern’ style quilt, so the aim is to have lots of negative space.
I’ve also made this month’s blocks for the Cherish do.Good.Stitches charity quilt that I contribute to: these are the Delectable Mountain block, or sometimes known by a few different names like Mountain Majesties, in black, grey and white: