Finishing a quilt after working on it for some time, even years, brings with it some happiness at the completion but also a little sense of loss when it goes off to its new home. I finally finished the Lollypop Trees quilt for my daughter that I have been working on for nearly four years. I was glad that I had a timeframe to work towards- in this case it was for her 21st birthday- but even though I overshot that by a year (!) if I didn’t have a specific reason for getting it finished, it may still be in the UFO pile.
I started this quilt because I wanted to do some applique- my favourite types of quilts tend to be pieced quilts, but also because I saw this quilt online somewhere and fell in love with it. I loved all the colours and mix of patterns and textures, and it used Kaffe Fasset fabrics which I also love to use.
So, here it is finished. I quilted it on my longarm in a simple pattern because I wanted the applique blocks to be the focus.
I used a gold-coloured thread on most of the background and some monofilament thread on the applique trees. This was a difficult quilt for which to work out what would look best. I ideally would have liked to avoid quilting on the applique altogether but because that would have meant a large proportion of the quilt surface without any quilting on it, that wasn’t possible. So I used the monofilament thread to quilt an outline shape inside the larger leaves and circles, and just quilted around other pieces so the applique would pop.
The backing fabric was also a Kaffe fabric.
This quilt measures 94″ by 94″. It was so big that even hanging it on the clothesline, wound up to the highest it would go, didn’t lift it off the ground!
My daughter took it home with her on the weekend. It was a long haul to get it finished, and I’m a little sad to see it go, but also very happy that I got to the end!
Just a catch-up time, the last week or so here at Little Birdie. I don’t have any new projects to show, but just a few photos to show what has been occupying my time!
On my spider-web quilt which I finished a couple of months ago, I realised that I hadn’t added a hanging sleeve, so thought I better get on that:
And also a label – I always spend too much time thinking of what to put on it!
Of course, then there is the lollypop quilt, which is in its final throes. The quilting is finished, so I have then tackled the trimming
and making the binding for it. I decided to join together lots of lengths cut from the same bright fabrics used in the blocks. All joined together to make a length to fit around this huge 94″ square quilt.
The binding just has to be sewn on, and then I’ll have to put some thought into its label too!
And another thing I’be been working on is some drawing and watercolour painting – here is a sketch of our last roses from the garden before the bushes were pruned last week.
I find sketching is good practise for really looking at things- at their proportions, their colour values in different light- and mixing paints to get the right hue also makes you really think about colour!
So, what have you been working on?!
I started making some blocks back in January, as part of the Aurifil Block-along, as posted about here.
I intended making these blocks with a view to add them to my scrappy medallion quilt that I’ve been slowly working along in the background between other things. This quilt:
This was the first one, a traditional bowtie block:
Like all the blocks I’m making for this quilt, I put them up on my wall once finished so I can look at them all together. I won’t be arranging them until I have lots made so their final resting place is unkwown for the time being.
But these blocks have been sitting there all this time and each time I look at them I think, they are not right, there’s something I don’t like. I think they are too big and ‘straight’ and ordinary, when most of the other blocks are wonky or improvised, or just different in some way. So, I had to do something with them. Maybe breaking them up, so all four aren’t together in one big block?
No, still too ‘clean-cut’. There’s nothing for it- I have to chop them up.:) So, I cut them across the middle, and inserted a strip. Still not enough; cut them across the other way and inserted another. Here’s the first:
I’m still not completely enamoured of them, but they are better than they were previously. Maybe they can sit up on the wall a bit longer while I ponder….
I’m linking up here to Lily’s quilts and her Small Blog Meet- hope you’ll have a look at some other blogs
What have I been working on, wellll….I’ve gone back to this medallion quilt, started in a Gwen Marston workshop last year, which I return to every now and then in between other projects. As I’ve mentioned here and here before, it is improvisational so the goal is to make the parts and put it together as you go along.
The latest additions include the red/cream half-square-triangle border around the centre panel, and the two wider strips top and bottom.
I want it to become a rectangle shaped quilt, which is why I didn’t add that light green border all the way around.
I’ve also been making lots of random blocks, without knowing where they will all go in the quilt just yet. Looking for some ideas and wanting to have a play, I decided to try a couple of blocks from this little booklet that came with an issue of the “Love Modern Quilting” magazine earlier this year.
Have you ever utilised these ‘free’ booklets or patterns that often accompany magazines? I just thought I might as well try a couple of them in some of the fabrics I’m using for this quilt. This first one is ‘Cross Check’.
The green strips are made with a Reece Scannell shot cotton, so it photgraphs a little funny, but such a beautiful fabric.
The patterns in the book are for 12″ blocks, but I’ve scaled them down to make 6″ blocks to fit in better with my quilt.
I also tried ‘Paving Stones’:
The quilt top is going to be a sampler of sorts, with lots of different blocks and the intention of putting it all together at the end like a puzzle. I also made these improvisational blocks – cutting odd-sized strips without a ruler and sewing them together. Hoping they will fit in there somewhere as well!
And this block is one of the Aurifil ‘Designer of the Month’ blocks, which I have been playing along with, like here, although not exactly every month – this is the block for July:
The journal pages that I’ve been working on for the last year are all finished, the cover is complete and they have all been assembled together into the final product: a fabric journal.
I know I’ve shown the individual parts on here before, but I now can show its final presentation- at last! The method I used to bind the individual pages together was to use two wooden rulers, drilled with holes and then threaded through from back to front with a strong wax-coated polyester thread.
Each of the pages had extra ‘space’ at the left-hand side to give the room needed for when the book was opened up. I think I could have made that wider though, or maybe used narrower sticks than the rulers.
Each page has its own label, printed on hand-made paper then hand-sewn to the back of the previous page.
Below is the inside back cover, and the back of the last page. I used a lot of ‘old’ fabric and scraps on this journal, probably about 90% of it was re-used, including this old soft teatowel used as the backing.
These are just some of the pages: we did ten altogether, plus the covers. I also used some hand-dyed fabric for the covers, which had cardboard inserts and sewn up in a ‘pillowcase’ style.
So nice to see it all together!
I’m working on finishing my fabric journal and am finally getting to the final stages of putting it all together.
One of the last steps is to make the little labels that I wanted to put on each page that included a little description of what each page was about and how I made it. My intention is to attach the label for each page on the back of the previous page, so that when the pages are open you can read it right there facing it.
However, it has not gone so well! I wanted to print from the computer onto fabric, which is something I have done before. See the blue fabric in this wallhanging with the black ‘smudges’ on it: I ‘painted’ the splotches using my computer’s Paint program and printed it onto the blue fabric which had been backed with freezer paper. It fed through the printer and printed perfectly.
This time it didn’t go so well. Using Word, I typed the text for each label into a table so all labels would be the same size. I ironed the freezer paper to the back of some linen fabric, but it just didn’t feed through very well. It started to print but then it stopped and bunched up and jammed the printer.
So, I thought the linen itself wasn’t conducive to being picked up by the printer’s rollers. I then cut some plain cotton and ironed the freezer paper to it – it didn’t work either.
Maybe, I needed more freezer paper to make it firmer, so I ironed 2 more pieces onto the back ( this was a type of freezer paper that was thinner or finer than the first piece I used, so I figured two layers of it would equate to one of the other). It didn’t work either.
I’m thinking that the previous time when I had success with printing, I must have been using a different printer. We have had this current printer about 2 years, so maybe the older printer was just better at feeding through?
I decided to try and use the Transfer Artists Paper, which I have also used with success before, as shown here, but to use that I needed to reverse image the text so when it is ironed onto the fabric the words are back the right way. But when I tried to work out how to do that in my version of Word, it proved too difficult and required more patience than I had!
So now I am considering writing it by hand on the freezer paper-backed cotton with a fabric pen, which will take such a long time. Phooey! Any hints?